In the end, this classic midseries entry seems mostly designed to set up the next volume, but fans probably won’t mind.
The second book in The Last Magician series picks up right after the cliffhanger conclusion of the first volume.
Time-traveling Esta and presumed-dead Harte, both Mageus, are on the run beyond the Brink in search of powerful magical artifacts in the primary storyline, which time-skips from 1902 to 1904. Back in New York, still in 1902, Viola and Jianyu, along with Cela, have their own secondary adventures; the three characters, respectively a white lesbian, a Chinese immigrant, and an African-American, also serve to illustrate some of Maxwell’s (The Last Magician, 2017, etc.) thoughtful push back on racism, sexism, and xenophobia, even if they are somewhat centrally cast (especially Jianyu). Both narratives contain action and plenty of baddie Jack Grew (J.P. Morgan’s fictional nephew, representative of toxic white male power), and magic continues to serve as an allegory; Esta and Harte’s adventures in St. Louis at the (carefully researched) Exposition bring them into contact with magic activists–cum-terrorists, which furthers the ways Maxwell examines power and morality. Sadly, multiple perspectives and frequent jumps between two timelines, sometimes with single-page chapters, rob the narrative of flow and tension, making this doorstopper drag.
In the end, this classic midseries entry seems mostly designed to set up the next volume, but fans probably won’t mind. (map, author’s note, further reading) (Historical fantasy. 12-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-4814-9445-8
Page Count: 704
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Somberly beautiful.
A girl goes in search of her missing sister and discovers a strange hidden world of dreams.
Corin, who’s 18 and dark-skinned, strives to protect her 12-year-old sister, Elly. But life as a thief is full of struggle, poverty, and loss, even without Corin’s avoidance of other relationships. Elly clings to the promise of fairy tales, like the one that says a princess lies sleeping in an underground castle after pricking her finger on a spindle. After the sisters fight and Elly runs off, Corin searches for her in Gyldan’s old network of tunnels—and finds the tale is true: Cursed Princess Amelia, golden-haired, with eyes like “sea glass” and porcelain skin, lies asleep, surrounded by flowers. Corin enters the princess’ dreamworld—the place “where your subconscious desires come to life.” She meets Briar Rose, Amelia’s alter ego, who experienced her share of sadness and wanted to fall asleep. Also in the dreamworld is green-skinned Malicine, the nonbinary demon who, despite having placed the curse of eternal slumber on Amelia, is mostly friendly. All three are running from things they can’t face, though the dreamworld may not give them a choice. Pham’s debut, a Sapphic reimagining of “Sleeping Beauty,” explores mental health and asks a lot of readers as it seesaws between emotional confrontations, time jumps, and scenes where one character inhabits the memories of another, all of which demand intense engagement. Still, the ending is earned as well as positive.
Somberly beautiful. (content note) (Fantasy. 14-18)Pub Date: June 2, 2026
ISBN: 9798217113026
Page Count: 400
Publisher: Kokila
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
SEEN & HEARD
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