A doorstopper with a total shakeup of an ending: don’t miss this splendid series opener.
Gangs, immigrants, and the rich keeping the poor down, with a twist.
In an alternate New York, magic is wielded by the Mageus, whose innate affinities vary widely, and the Order, who disdain but use magic in rituals that limit the Mageus’ freedom. For centuries, Mageus have entered but cannot leave Manhattan thanks to the Brink, a magical barrier surrounding the island. Esta’s affinity involves manipulating time, and the professor who raised her has sent her from the present day to 1901 to stop the destruction of a book that could potentially destroy the Brink. Shifting third-person perspective follows Esta into the past as she infiltrates Dolph Saunders’ gang and becomes involved with Harte Darrigan, the handsome magician who destroyed the book. Crisp pacing and plenty of details tell the story of engaging, if selfish, characters in their late teens and early 20s working at cross purposes for big reasons. The past is slightly romanticized but largely realistic: the Mageus function as a stand-in for any immigrant group subject to prejudice, and Esta’s contemporary attitudes shine a light on outdated attitudes, while through the experiences of Chinese Jianyu (the only nonwhite member of Dolph’s gang), some of the racial prejudices of the past are confronted.
A doorstopper with a total shakeup of an ending: don’t miss this splendid series opener. (map) (Historical fantasy. 12-adult)Pub Date: July 18, 2017
ISBN: 978-1-4814-3207-8
Page Count: 512
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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