by Lisa Moser ; illustrated by Gwen Millward ‧ RELEASE DATE: March 22, 2016
Whimsical and delightful, a celebration of imagination.
An abandoned garden is the setting for joyful play by an array of small creatures.
Prose poems, set on or next to doodly, delicate drawings, introduce this garden’s inhabitants, whose activities will appeal to young readers and listeners. Ladybug, barefoot, whistles with a blade of grass; Horsefly pretends he has flashing hooves and a streaming tail; Cricket, the great explorer, swings on a gate. Bee just wants to watch the clouds. Together with Butterfly, Dragonfly, Big and Little Ant, and Snail, they gather to watch the explosion of flowers blooming. Later, Lightning Bug leads a game of follow-the-leader. The scribbly pen-and-pencil illustrations, finished with watercolor, reveal amusing detail. After rolling all the way down the path, Roly-Poly unrolls and waves his many legs. At night, Lightning Bug watches over his friends—but Butterfly has one eye open, too. These engaging, childlike illustrations vary in size and placement on the page; double-page spreads invite particular attention. Moser introduces some unusual vocabulary but keeps most of her text simple and playful. Cricket and Big Ant seek the best way to reach a peach: at the “top of the hop” or “bottom of the drop”? The reveal comes on the next page: “KER PLOP!” Earthworm’s poem has a wormlike curve. With plentiful dialogue, these short scenes will be fun to read aloud.
Whimsical and delightful, a celebration of imagination. (Picture book. 4-8)Pub Date: March 22, 2016
ISBN: 978-0-7636-6534-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 24, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Juliana Perdomo
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