A reverent introduction to a trailblazing performer.
In the first picture-book biography of Madame Saqui, readers meet the talented, persevering French tightrope walker who defied gravity.
Marguerite-Antoinette Lalanne and her family flip and tumble onstage in late-18th-century Paris. Marguerite longs to dance on a tightrope, like her parents. But political upheaval in revolutionary-era France drives the family to the countryside, where, secretly, Marguerite takes ropewalking lessons. When her parents see her perform, they decide to return to circus life. After Marguerite marries, performing as Madame Saqui in her husband’s family circus, she heads back to Paris, becoming its “darling” and Napoleon’s favored acrobat. An inspirational tone — emphasizing the setbacks Saqui faced, her strong-willed spirit, and her daring feats (including ropewalking between the towers of Notre Dame de Paris)—pervades the story: “And she never fell,” readers learn on the final page, as an elderly Saqui ropewalks in her 70s. Green’s muted, stylized illustrations feature dramatic moments, as when Saqui, clad in a flowing white dress, dances across a tightrope as fireworks and stars twinkle in the Parisian sky. Saqui and most characters are white, but there is some diversity among other performers. Where readers fall on the complex legacy of Napoleon (warmonger or French hero?) may color their feelings about the book’s tone; as he “waged war across Europe, Madame Saqui reenacted his battles.” Italicized French words are sporadically incorporated into the text.
A reverent introduction to a trailblazing performer. (glossary) (Picture book. 6-12)Pub Date: March 24, 2020
ISBN: 978-0-525-57997-7
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history.
“How do you tell a story / that starts in Africa / and ends in horror?”
Alexander uses multiple voices to weave this poem about a teacher who takes on the difficult but necessary task of starting a classroom conversation about slavery. Between the theft of people from the African continent and the sale of people in America, from the ships that brought them and the ocean that swallowed some of them to their uncompensated work and the breakup of families, Alexander introduces objections from the implied listeners (“But you can’t sell people,” “That’s not fair”), despair from the narrating adult, encouragement from the youth, and ultimately an answer to the repeated question about how to tell this story. Rising star Coulter’s mixed-media art elevates the lyrical text with clarity and deep emotion: Using sculpted forms and paintings for the historical figures gives them a unique texture and lifelike fullness, while the charcoal drawings on yellow paper used for the present-day student-teacher interactions invite readers to step inside. Where Coulter combines the two, connecting past with present, the effect is stunning. Both young readers and adults unsure of how to talk about this painful past with children will find valuable insights.
With powerful art from a bold new talent, this is a probing and sensitive take on a devastating chapter of U.S. history. (author’s and illustrator’s notes) (Informational picture book. 6-10)Pub Date: Jan. 3, 2023
ISBN: 978-0-316-47312-5
Page Count: 56
Publisher: Little, Brown
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
PERSPECTIVES
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...
Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.
Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)Pub Date: April 2, 2019
ISBN: 978-1-328-78096-6
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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