Will resonate with kids who have lost grandparents or other family members.

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Teapots, Buttons, Memi and Me

In this middle-grade novel, 12-year-old Sophia heads to the shore with her family only to find that things are different than they were before.

When Sophia arrives at her grandparents’ beach cottage for the first weekend of summer, as she does every year, she is excited but nervous: Would this summer be just like all the others? Memi has passed away, and this is the first time that she will have a beach retreat alone with Poppy. Her first afternoon at the cottage, Poppy gives Sophia trinkets from Memi—a china teapot, a calico apron, a handful of sea glass—and she is lost in the memory of her grandmother and what these little pieces meant to her. That night, when she sees Poppy laughing and talking with Tessie, Memi’s best friend, she is shocked: How could they forget about Memi so quickly? Why is Poppy smiling with another woman? Sophia would never forget about Memi. She and her summer friend, Thomas, talk about it, and Sophia continues to not only remember Memi, but to stay angry at Poppy. As Sophia’s weekend progresses, she must learn that honoring Memi and moving on are very much the same. Bauer’s touching debut may be enjoyed by all ages. While the prose is simple (but not too simple!) for younger readers, adult eyes will not tire of its rhythm, expressive language and descriptions of the seashore. Its pacing is also excellent—a difficult feat in a short book, but Bauer skillfully holds interest with a balance of journey and realization. Notes by Memi, included in the book, add a personal angle to Sophia’s grief. The work is a revealing, immersive look at death through a child’s eyes: It is easy, for a child, to think that moving on is forgetting about a person who has passed on. Adults know that this is not so.

Will resonate with kids who have lost grandparents or other family members.   

Pub Date: March 21, 2014

ISBN: 978-1495202766

Page Count: 60

Publisher: CreateSpace

Review Posted Online: June 5, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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Penfold and Kaufman have outdone themselves in delivering a vital message in today’s political climate. Let’s hope more...

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ALL ARE WELCOME

A lively city school celebrates its diversity.

Front endpapers show adult caregivers walking their charges to school, the families a delightful mix that includes interracial, same-sex, and heterosexual couples as well as single caregivers; the rear endpapers assemble them again at the conclusion of a successful schoolwide evening potluck. In between, the rhyming verses focus on aspects of a typical school day, always ending with the titular phrase: “Time for lunch—what a spread! / A dozen different kinds of bread. / Pass it around till everyone’s fed. / All are welcome here.” Indeed, this school is diversity exemplified. Several kids point to their home countries on a world map, and some wear markers of their cultural or religious groups: There’s a girl in hijab, a boy wearing a Sikh patka, and a boy in a kippah. A rainbow of hair colors and skin tones is in evidence, and children with disabilities are also included: a blind boy, a girl in a wheelchair, and several kids with glasses. What is most wonderful, though, is the way they interact with one another without regard to their many differences. Kaufman’s acrylic, ink, crayon, collage, and Photoshop illustrations bring the many personalities in this school community to life. “You have a place here. / You have a space here. / You are welcome here.”

Penfold and Kaufman have outdone themselves in delivering a vital message in today’s political climate. Let’s hope more people, starting with this picture book’s audience, embrace it. (Picture book. 3-8)

Pub Date: July 10, 2018

ISBN: 978-0-525-57964-9

Page Count: 44

Publisher: Knopf

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

I AM ENOUGH

A feel-good book about self-acceptance.

Empire star Byers and Bobo offer a beautifully illustrated, rhyming picture book detailing what one brown-skinned little girl with an impressive Afro appreciates about herself. Relying on similes, the text establishes a pattern with the opening sentence, “Like the sun, I’m here to shine,” and follows it through most of the book. Some of them work well, while others fall flat: “Like the rain, I’m here to pour / and drip and fall until I’m full.” In some vignettes she’s by herself; and in others, pictured along with children of other races. While the book’s pro-diversity message comes through, the didactic and even prideful expressions of self-acceptance make the book exasperatingly preachy—a common pitfall for books by celebrity authors. In contrast, Bobo’s illustrations are visually stunning. After painting the children and the objects with which they interact, such as flowers, books, and a red wagon, in acrylic on board for a traditional look, she scanned the images into Adobe Photoshop and added the backgrounds digitally in chalk. This lends a whimsical feel to such details as a rainbow, a window, wind, and rain—all reminiscent of Harold and the Purple Crayon. Bobo creates an inclusive world of girls in which wearing glasses, using a wheelchair, wearing a head scarf, and having a big Afro are unconditionally accepted rather than markers for othering.

A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

Pub Date: March 6, 2018

ISBN: 978-0-06-266712-0

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 3, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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