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THE BIRD BOYS

Proving that anything old can be new in the right, talented hands, Sandlin has crafted an outstanding series that readers...

A Texas private investigator and his assistant are hired by a man who is looking for his brother, but what unfolds is something completely different.

It’s 1973 in Beaumont, Texas, and Tom Phelan is trying to make a go of Phelan Investigations with the help of his assistant, Delpha Wade, who is recovering from injuries inflicted by a serial killer in a previous case (The Do-Right, 2015). And that’s only one of Delpha’s problems. She went to prison at 18 for killing a man who raped her. Now 32, she’s on parole and learning to navigate a world with freedom, choices, and even new social exchanges. “Congratulations to you,” she says to someone about a new baby—a phrase she’s never uttered before in her life. When an elderly man named Xavier Bell asks them to find his brother, Tom and Delpha’s meticulous research uncovers more than anyone expects. What sounds like an ordinary PI caper, though, becomes something elevated, poignant, and complex in this beautifully written novel. The author’s use of dialogue is perfectly regional, and her descriptions evoke a cross between Raymond Chandler and James Lee Burke. A briefcase “might have been rubbed with twenties to give it the mellow sheen,” and “the desk man was a middle-aged cop whose starched shirt could have worked the shift without him.” The author also conveys the realities of doing research in 1973, from using phone books and libraries to tracking down old paper records.

Proving that anything old can be new in the right, talented hands, Sandlin has crafted an outstanding series that readers will want to follow and savor.

Pub Date: July 16, 2019

ISBN: 978-1-947627-13-0

Page Count: 306

Publisher: Cinco Puntos Press

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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THE GOOD DAUGHTER

It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as...

Slaughter’s latest break from the punishing travails of Dr. Sara Linton and Will Trent (The Kept Woman, 2016, etc.) uses a school shooting to reunite two sisters who’ve had compelling reasons for avoiding each other in the years since their own childhood horrors.

Twenty-eight years ago, two masked men broke into attorney Rusty Quinn’s Georgia home looking for the man of the house, the kind of lawyer who gives lawyers a bad name. In Rusty’s absence, things went south instantly, leaving Gamma Quinn dead, her daughter Samantha shot in the head and buried alive, and her daughter Charlotte fleeing in terror. Sam somehow survived and rose above her brain damage to become a successful New York patent attorney; Charlie remained in Pikeville, joined the criminal defense bar, and married ADA Ben Bernard. But she and Ben have separated; she’s taken solace in some quick sex with a stranger in a parking lot; and when she goes to the middle school where her one-night stand works as a history teacher to pick up the cellphone she left behind, she walks into the middle of a shooting that brings back all her own trauma. Goth girl Kelly Wilson admits she shot and killed Douglas Pinkman, the school principal, and 8-year-old Lucy Alexander, but Rusty, whose inbox is already overflowing with hate mail provoked by all the lowlifes he’s defended, is determined to serve as her attorney, with Sam as a most unlikely second chair. In addition to the multilayered conflicts among the Quinns and everyone else in town, Sam, who urged her sister to flee their childhood nightmare, and Charlie, who’s had to live with fleeing ever since, will have to deal with memories that make it hard for them to sit in the same room.

It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as consistently as Slaughter at using horrific violence to evoke pity and terror. Whether she’s extending her franchise or creating stand-alones like this, she really does make your hair stand on end.

Pub Date: Aug. 8, 2017

ISBN: 978-0-06-243024-3

Page Count: 512

Publisher: Morrow/HarperCollins

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A BITTER FEAST

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.

Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.

Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.

Pub Date: Oct. 8, 2019

ISBN: 978-0-06-227166-2

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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