A moving, beautifully structured novel from an incredible new voice.
Two young people navigate their personal lives and social turmoil in Thatcher-era England.
When Daphne, the narrator of Smith’s debut novel, meets a new boy named Connie at the South London secondary school she attends, it isn’t exactly love at first sight. Connie, 12, has recently moved to England from Jamaica with his mother, Althea; Daphne, a London native with a Jamaican mother, isn’t quite sure what to make of him. But the two eventually become friends, and Connie tells Daphne that he and his mother are “nuh land”—in England illegally. Daphne’s mother, Alma, welcomes Connie, allowing him to spend time at their crowded house when Althea’s abusive partner, Tobias, is in a bad mood. Daphne helps Connie adjust to life in London, while dealing with a family problem of her own: She has tracked down her absent father, much to Alma’s chagrin. Meanwhile, both characters are forced to deal with racist taunts and attacks, and Daphne finds herself interested in a white boy with both a crush on her and a virulently racist brother. Smith’s novel covers 12 years in the lives of the two families, beginning in 1981, shortly after the New Cross house fire that killed 13 Black people and led to that year’s Brixton riot, continuing through 1985, when another riot rocked Brixton, and concluding in 1993. Smith does an amazing job detailing the atmosphere of Thatcher’s England and the immigrant experience, and her dialogue is pitch-perfect. Most impressive is the way she draws Daphne and Connie, both complex characters constantly looking for somewhere to fit in. The writing is top-notch, and the novel manages to be heartfelt but never sentimental. This is a major achievement from an author with talent to spare.
A moving, beautifully structured novel from an incredible new voice.Pub Date: July 15, 2025
ISBN: 9780593537657
Page Count: 448
Publisher: Knopf
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.
An elderly man’s posthumous journey back through his life has unexpected consequences for several people, and lessons for everyone.
It is a truth universally acknowledged that readers adore any novel set in a reading group, bookshop, or library, from the terribly sad (The Guernsey Literary and Potato Peel Pie Society, 2008) to the puzzle-heavy (Mr. Penumbra’s 24-Hour Bookstore, 2012) to the downright clever (The Uncommon Reader by Alan Bennett, 2007). Haig, who’s already written The Midnight Library (2020), mines a similar vein in this novel centered on a bookseller named Wilbur Budd; place this one in the seriously sentimental category. Wilbur dies at 81 just after receiving a call from his ex-wife, Maggie. He finds himself on a classic steam-train carriage, accompanied by a younger version of the woman who founded the bookstore he turned into a global conglomerate. As Mrs. Agnes Bagdale explains, he’s on a trip to significant places and events from his life, but he’s forbidden from interfering in them, thus possibly changing the course of other people’s lives. True to his maverick tendencies, Wilbur struggles with the three rules of the train (“You get on and off the train as required. You never try and speak to yourself. And you must never be there when you fall asleep”) and struggles even more mightily as he realizes that Maggie was his true love and lifelong lodestar. While some moments verge on maudlin, as when Wilbur and Maggie goggle at Venice during their honeymoon, these are tempered by quieter observations, as when Wilbur’s oldest friend, Charlie, tells him frankly during lunch at a trendy restaurant that his constant ambition is a failing. This isn’t a subtle book and it’s not trying to be; it’s urging readers to think about their own choices, wherever they find themselves.
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.Pub Date: May 26, 2026
ISBN: 9780593833377
Page Count: 304
Publisher: Viking
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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