While occasionally flippant and straining to be clever, Cullen is mostly an amiable guide, and her tour is enjoyable and...
A fresh and funny look at what’s new in funerals.
Time magazine staff writer Cullen conducted her personal, on-site survey of funeral rites and after-death practices while pushing her infant daughter along in a stroller or toting her around in a backpack. Here she uses the present and past tense to distinguish between what she observed firsthand and what was described to her by event organizers or by friends or relatives of the deceased. A stroll through a funeral directors’ convention introduces the merchandising of death and personalized services. The roles of funeral directors and party planners have merged into a new profession, Cullen reports: that of funeral planners, who arrange celebrations that bring people together to honor and memorialize the deceased. With cremation gaining popularity, some businesses, such as flower shops and casket-makers, are declining or under threat, and whole new industries are popping up. Cullen visits a woman who has chosen to have her husband’s ashes made into a diamond she can wear; helps a pilot scatter ashes from his plane; and attends a burial at sea for which ashes have been mixed into concrete to form artificial reefs. Other options are freezing and mummification, a process she doesn’t witness but describes graphically. She also observes classes at a New York mortuary school, where she finds that education is not keeping pace with the changes that are sweeping the business. The traditional rituals of a lavish Hmong funeral she attends in Minneapolis are fascinating, yet they are outmatched by her moving account of her Buddhist grandfather’s funeral in Japan. In one unforgettable scene in this often lighthearted book, the author and her family use chopsticks to pick up the recognizable remains of the cremated body, starting with the feet and working upward, and place them in an urn.
While occasionally flippant and straining to be clever, Cullen is mostly an amiable guide, and her tour is enjoyable and enlightening.Pub Date: Aug. 1, 2006
ISBN: 0-06-076683-2
Page Count: 256
Publisher: Collins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2006
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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