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THE DAY I WAS ERASED

Unconvincing.

An English preteen’s impulsive wish that he’d never been born is granted.

For Maxwell, 12, home is anything but tranquil: His parents fight constantly; his nerdy sister, Bex, 15, ignores him. His beloved dog, Monster, provokes complaints from neighbors. Maxwell relieves stress by disparaging his (only) school friend, Charlie Kapoor. (While most characters default to white, Charlie’s name and home cuisine imply South Asian ancestry.) Maxwell’s prizewinning portrait of an elderly, forgetful neighbor, Reg, earned Maxwell prestige, benefiting his school financially. During an announcement regarding the school’s centennial celebration, with the inclusion of the filming of a popular TV show segment that’s meant to be an exciting surprise, Maxwell deliberately gives the secret away. After bullying and injuring Charlie in PE, Maxwell’s banned from the celebration but disrupts the event with catastrophic results. He flees to Reg, vents his misery, and, via a mysterious artifact, erases himself from his life. He finds himself in a Maxwell-free world where his parents have divorced, his dad is miserable, and Bex shoplifts. Worse, Monster doesn’t even exist. The premise closely tracks Frank Capra’s 1946 film, It’s a Wonderful Life. Like George Bailey, Maxwell’s shown the difference his past good deeds made to others through learning their fates in a world where he’s never existed. But slapdash execution, inconsistent plotting, and Maxwell himself hinder reader buy-in. His prior good deeds mainly reflect being in the right place at the right time; the Maxwell readers will remember is a selfish, manipulative bully.

Unconvincing. (Fantasy. 8-12)

Pub Date: June 2, 2020

ISBN: 978-1-338-58956-6

Page Count: 256

Publisher: Scholastic

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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