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FRANKIE WORKS THE NIGHT SHIFT

“Frankie works the night shift. / He empties one wastebasket. / He cleans two counters.” Yes, Frankie the yellow tabby cat works and counts his way around the hardware store until he “spots an intruder behind six hammers! / He follows it up / and down / seven ladders. / He chases it in and out of eight nail bins.” The chase lands the both of them on the beds of the nine bosses, who aren’t too keen on being awakened—until one of them spots the intruding mouse. Then Frankie has a cheering section as he chases it from the store. After a good night’s work (and ten big yawns), Frankie settles down to his daytime routine—which looks to include a bit of napping. Peters’s sly counting-cat tale is given a huge boost of silliness and adrenalin by newcomer Taylor’s photo-based digital collages. The puss playing Frankie and his mousey co-star leap and climb across the full-bleed, mostly two-page dynamically composed spreads with gleeful abandon. Enormously entertaining, particularly for the I Spy set. (Picture book. 3-7)

Pub Date: March 1, 2010

ISBN: 978-0-06-009095-1

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: Dec. 31, 2010

Kirkus Reviews Issue: Jan. 15, 2010

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DECOY SAVES OPENING DAY

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts.

Ohtani, pitcher for the Los Angeles Dodgers, teams up with Blank and Liem to tell the story of how his dog, Decoy, threw out a ceremonial first pitch.

It’s a big day! Decoy leaps “off the bed. Then back onto the bed. Then off the bed.” The enthusiastic pup heads outside to practice with his lucky baseball but is quickly distracted by squirrels (“we’ll play later!”), airplanes (“flyin’ high!”), and flowers (“smell ya soon!”). Dog and pitcher then head to the ballpark. In the locker room, Decoy high-paws Shohei’s teammates. It’s nearly time! But as Shohei prepares to warm up, Decoy realizes that he’s forgotten something important: his lucky ball. Without it, there will be “no championships, no parades, and no hot dogs!” Back home he goes, returning just in time. With Shohei at the plate, Decoy runs from the mound to his owner, rolling the ball into Shohei’s mitt for a “Striiiiike!” Related from a dog’s point of view, Ohtani and Blank’s energetic text lends the tale a sense of urgency and suspense. Liem’s illustrations capture the excitement of the first day of baseball season and the joys of locker room camaraderie, as well as Shohei and Decoy’s mutual affection—even when the ball is drenched in slobber, Shohei’s love for his pet shines through, and clearly, Decoy is focused when it matters.

A charming tale of an athlete who may not steal any bases but who will certainly steal readers’ hearts. (Picture book. 5-7)

Pub Date: Feb. 3, 2026

ISBN: 9780063460775

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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