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SCALES TO SCALPELS

DOCTORS WHO PRACTICE THE HEALING ARTS OF MUSIC AND MEDICINE

Wong's message is simple yet profound: Music heals.

With the assistance of playbill.com founder Viagas (I'm the Greatest Star: Broadway's Top Musical Legends from 1900 to Today, 2009, etc.), Wong sums up her experiences as president of Boston's Longwood Symphony Orchestra.

The author joined this relatively unique orchestra of semi-professional musicians who are also medical practitioners in 1985, at a time when it was made up of “an enthusiastic but rather motley band of eighty or ninety musicians.” In college Wong had dreamed of becoming a professional violinist but decided on a medical career instead. Despite the demands of a thriving pediatric practice, marriage and motherhood, she joined the LSO and served as president from 1991 to 2012. She provides thumbnail sketches of other members of the orchestra to substantiate her assertion that music and medicine can be complementary, and she explains that the ability to listen is crucial both for musicians performing in an orchestra and doctors treating patients. Both disciplines require “passion, focus, training, and the sharing of humanity with those around us,” and for doctors who need to suppress their own emotions in professional situations, playing music can be a welcome release. Wong also discusses the clinical benefits of listening to music—e.g., stroke victims who regain their lost ability to speak by singing; withdrawn patients suffering from dementia who become responsive through music—and pays special tribute to Dr. Albert Schweitzer, the Nobel Prize–winning doctor whose combined career as a missionary and musician remains an inspiration.

Wong's message is simple yet profound: Music heals.

Pub Date: May 20, 2012

ISBN: 978-1-60598-177-2

Page Count: 368

Publisher: Pegasus

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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