An age-appropriate informational picture book offering a sunny celebration of farming.
In this farm-themed picture book, children learn the sources of the foods they eat.
Framed around children’s mealtimes, this cheery picture book by Detlefsen (If You Had a Jetpack, 2018, etc.) and from the publishing arm of the American Farm Bureau Foundation for Agriculture pays tribute to farmers and farming. Illustrated with idyllic scenes of farmers at work and a diverse mix of children, the book begins with a little girl about to eat her pancake breakfast. The stories of farmers, her mother tells her, are “right here on your table,” and “Right this very minute,” farmers are in orchards testing juice oranges for ripeness, readying a field for planting wheat, and collecting maple sap for syrup. On subsequent pages, children learn how snack-time cranberries and peanuts are farmed and how lunchboxes hold the “hard work of so many,” from dairy farmers to carrot growers and beekeepers. Dinner puts the spotlight on cattle ranchers and vegetable growers. The upbeat narrative, which includes child-accessible facts about crop rotation, soil sensors, and how produce gets to market, is complemented by the warm appeal of the observant, full-page illustrations by Kurilla (Wild Fairies #2: Lily's Water Woes, 2018, etc.). One caution: this book isn’t written with vegetarians in mind or for children not ready for the reality of what happens to many animals on a farm.
An age-appropriate informational picture book offering a sunny celebration of farming.Pub Date: Feb. 5, 2019
ISBN: 978-1-948898-00-3
Page Count: 32
Publisher: Feeding Minds Press
Review Posted Online: Dec. 6, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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