illustrated by Lita Judge by Lita Judge ‧ RELEASE DATE: June 30, 2020
Warm, inviting nonfiction, especially for those new to the genre.
As is true with tiny humans, play is important in young animals’ development.
Judge looks closely at 27 different animals and the playful habits of their young. Sometimes play helps animals learn how to forage and hunt. Other times, it can be practice for following rules. For some, it can even mean survival. Each subtopic is allotted two double-page spreads. In a dramatic setup scene, a large, bold statement declares an observation, such as: “Many young animals ask first before playing.” Judge depicts one young chimp approaching another that is cradled in mom’s embrace. A smattering of vignettes follows in the next spread. “A young chimpanzee swings his head and shoulders from side to side….That is his way of asking his friend, ‘Do you want to play with me?’ ” However, a sea lion pup “approaches another while holding a piece of kelp that serves as a toy, then quickly swims away.” Kids will delight in comparing their own actions to those of the baby animals. The variety is also impressive: Red river hogs cavort in these pages, along with bottlenose dolphins and wallaby joeys. Judge’s realistic illustrations are both endearing and expressive. Energetic moments are expertly captured. Tufts of fur fly; young ones are caught midpounce or with trunks held high, sending water splashing. The most appealing? The mischievous gleam of fun in everyone’s eyes.
Warm, inviting nonfiction, especially for those new to the genre. (additional facts, glossary, sources, recommended websites) (Informational picture book. 3-8)Pub Date: June 30, 2020
ISBN: 978-1-250-23706-4
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Nicola Davies ; illustrated by Jane Ray ‧ RELEASE DATE: May 7, 2019
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Hannah Eliot ; illustrated by Jorge Gutierrez ‧ RELEASE DATE: July 24, 2018
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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