Competent enough as fan fiction, but strictly for (not-too-devoted) fans of the movie.

A WHOLE NEW WORLD

From the Twisted Tales series , Vol. 1

In a Disney-authorized riff on the animated film Aladdin, one crucial plot twist has horrifying results.

The first quarter of the book serves up a straightforward novelization of the film, until evil vizier Jafar traps the roguish protagonist underground—in this version, without the magical lamp. Aladdin escapes to find that with the genie’s aid, Jafar has publicly murdered the feckless sultan, imprisoned the princess Jasmine, and terrorized the people of Agrabah into submission. Fortunately, Aladdin can call upon the Street Rats to spearhead a revolution, but can a gang of petty thieves prevail over Jafar’s black magic? Briskly paced, with nonstop action and clever allusions to classic horror tales, this retelling suffers from paper-thin characterization and abrupt shifts in tone, from saccharine romance to snarky quips to grisly horror, including the tortures and deaths of more than one beloved movie character. The setting and dialogue are rife with jarring anachronisms, and even when some characters are granted added depth—as in the genie’s tragic back story and Jafar’s terrifying descent into madness—it often backfires, for instance conflicting creepily with the former’s jocular wisecracks and latter’s cartoonish villainy. Despite a tacked-on happily-ever-after epilogue, the darkness and violence, culminating in a rebel “victory” that is at best ambiguous, leave a bitter aftertaste. 

Competent enough as fan fiction, but strictly for (not-too-devoted) fans of the movie. (Fantasy. 13-18)

Pub Date: Sept. 1, 2015

ISBN: 978-1-4847-0729-6

Page Count: 336

Publisher: Disney Press

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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Vivid, chilling, and important.

NONE SHALL SLEEP

Two 18-year-olds with traumatic pasts become entangled in a high-stakes manhunt for a serial killer targeting teenagers.

Emma Lewis isn’t your average psychology undergrad (and not just because she has a buzz cut). Two and a half years ago, she escaped a serial killer’s clutches and then helped the authorities apprehend him. Now a student at Ohio State, she’s been recruited for her unique qualifications by an agent in the FBI’s Behavioral Science department to spend the summer interviewing juvenile offenders. Alongside trainee Travis Bell, whose late father was killed while apprehending one of their subjects, Emma reluctantly ventures into the minds of teenage killers—and must confront her own past when one of the subjects offers unexpected insight into the motives of a new killer known as the Butcher. Set in the early 1980s, narrated in present tense, and told through Emma’s perspective as well as others’ (including the Butcher’s), the tightly plotted story moves inexorably forward with shocking twists alongside clear, applicable descriptions of the cognitive behavioral strategies Emma uses to navigate her PTSD. The narrative is critical of law enforcement work, emphasizing its psychological toll, and the '80s cultural references are handled with a light touch. Emma is white while Travis is cued as biracial (Mexican American and white); although most secondary characters appear white, two key figures are people of color.

Vivid, chilling, and important. (author's note) (Fiction. 13-18)

Pub Date: Sept. 1, 2020

ISBN: 978-0-316-49783-1

Page Count: 400

Publisher: Little, Brown

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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