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DAUGHTER OF FRANCE

An absolute must-read for fans of French history and intrigue.

Exquisitely crafted rags-to-riches tale set in pre-Revolutionary France, encompassing the historical Affair of the Diamond Necklace.

Forrest amazes and delights from the very first paragraph. Readers will be quickly pulled into the story, becoming silent observers to an illegitimate daughter being legitimized, her grooming to French court life and her presentation to the court as the Marquise de Ste. Vierge. Court intrigue, schemes, plots, descriptions of clothing and life at the French court keep the pages flying. Forrest convincingly captures the emotions of the main character, Anne-Marie, as she encounters court life, finds her way in society and falls in love with a man who is not destined to be hers. The author also guides readers seamlessly through political upheavals and the private emotions and public face of Anne-Marie, as she grows into a woman sure of her station in life, a force manipulating the events around her, rather than being molded by them. Forrest uses excellent source material to reproduce the sights, sounds and atmosphere of France, England and Austria at that time. Characters are constructed so convincingly that it is almost impossible to believe they are confined to paper. In fact, Forrest paints historical figures so realistically that the reader feels the intrigue in the air from beginning to end. Scandals and plotting are effortlessly revealed, creating a real sense of urgency and tension at the court of Versailles. Political tension grips mercilessly as peasants starve and demand rights, while monarchs spend the treasury dry even to the point that militia guarding the palace have no powder for firearms. Despite all this, Anne-Marie finds happiness after decades of being used as a pawn by her father and the monarchs of France.

An absolute must-read for fans of French history and intrigue.

Pub Date: April 29, 2008

ISBN: 978-1-4257-8799-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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SAG HARBOR

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Another surprise from an author who never writes the same novel twice.

Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Pub Date: April 28, 2009

ISBN: 978-0-385-52765-1

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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