by Liz Montague ; illustrated by Liz Montague ‧ RELEASE DATE: May 16, 2023
Warm tribute to an unjustly obscure artist.
One African American woman cartoonist pays respects to the inspirational creativity and persistence of another.
Ormes (1911-1985), born Zelda Jackson, realized as a child that “adventure didn’t have to be caught—it could be created.” She went on to become a journalist, was probably the first Black woman to have a nationally syndicated cartoon, and, as the creator of “Torchy Brown” and “Patty-Jo ’n’ Ginger,” was a perceptive commentator on both the Great Migration and the early civil rights movement. The author ends with Ormes’ invention of the latter comic’s spunky child character but goes on in a brief afterword to highlight her likewise venturesome design for an upscale, brown-hued Patty-Jo doll in the late 1940s. Though there is but one reproduced example of Ormes’ cartoon work, the bright, cleanly drawn pop-art illustrations make clear her focus, confidence, and intelligence, casting her as an alert observer who fearlessly takes in whatever is going on around her (even placing her inside the ring while covering a prizefight for an early assignment). Visible faces in the art are all Black or brown. Traci N. Todd’s Holding Her Own (2023), illustrated by Shannon Wright and aimed at a slightly older audience, offers more biographical detail, but both of these profiles are silent about Ormes’ later life. Still, as a role model for creative achievement, she merits all the attention she can get. (This book was reviewed digitally.)
Warm tribute to an unjustly obscure artist. (author’s note, selected sources, photographs) (Picture-book biography. 6-9)Pub Date: May 16, 2023
ISBN: 978-0-593-42654-8
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Liz Montague ; illustrated by Liz Montague
BOOK REVIEW
by Liz Montague ; illustrated by Liz Montague
BOOK REVIEW
by Liz Montague ; illustrated by Liz Montague
by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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