An uplifting story of survival, often marred by maudlin writing.
The admirable story of a teen who overcame homelessness through sheer grit and the kindness of friends.
Murray’s memoir of extreme poverty and eventual academic success begins with her unenviable childhood, during which her parents were drug addicts living in the decaying Bronx of the 1980s. While Murray’s older sister was furious and distant regarding their life circumstances—which included a ritualized dependence on “check day”—the author so desired her parents' acceptance that she rationalized their addictions and poverty, even though it resulted in her being grotesquely unkempt and ostracized at school. Much of the narrative focuses on her mother, who “became giddy setting up their ‘works’ while she waited for Daddy to get back with the drugs.” Murray’s formative years become increasingly traumatic, as her mother was diagnosed with AIDS and then left her scholarly yet seedy father, who had served time in prison in the ’70s for an elaborate prescription-forgery ring. Meanwhile, her disintegrating family’s encounters with the state, including a stint in a group home for truancy, convinced the author that she would be better off homeless. “I had been inching my way onto the streets all along,” she writes, “through my every run-in with premature independence.” Murray left her mother’s surly boyfriend's cramped apartment at age 15 and stayed in a motel with her first love, whom she eventually realized was a violent drug dealer and user. Despite her precarious circumstances, following her mother's death, the author re-engaged with the educational process at an alternative high school and received a prestigious New York Times–sponsored scholarship and acceptance to Harvard. Murray ably captures the fearful, oppressive monotony of being a homeless teen, constantly hustling for places to stay, and her tale is a disturbing reminder of lives lost to addiction and poverty. However, the narrative’s effectiveness is undermined by a plodding pace and by reconstructed dialogue that feels artificial and unconvincing.
An uplifting story of survival, often marred by maudlin writing.Pub Date: Sept. 7, 2010
ISBN: 978-0-7868-6891-9
Page Count: 336
Publisher: Hyperion
Review Posted Online: June 28, 2010
Kirkus Reviews Issue: July 15, 2010
BOOK REVIEW
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.
Rock-’n’-soul icon Turner is happy at last, and she wants the world to know it.
The love story of the title is specific: The 78-year-old singer has been with her German mate for 33 years, and though bits and pieces of her body have been failing and misbehaving—she recounts a stroke, kidney failure, cancer, and other maladies—her love is going strong. It’s also generalized: Turner, born Anna Mae Bullock in Nutbush, Tennessee, is enchanted by the world, from her childhood countryside to the shores of Lake Zurich, where she has lived nearly half her life. There was another love story, of course, the one that fans will know and lament: her marriage to the drug-addicted, philandering Ike Turner, of whom she writes, pointedly, “at this point in my life, I’ve spent far more time without Ike than with him.” The author emerges from these pages as self-aware and hungry for knowledge and experience. Who knew that she was a dedicated reader of Dante as well as a “favorite aunt” of Keith Richards and a practitioner of Buddhism of such long standing that Ike himself demanded that she lose her shrine? The gossip is light, though she’s clear on the many reasons she broke away from Ike. She’s also forgiving, and as for others in her circle over the years, she calls Mel Gibson “Melvin” because of his “little boy quality,” though she doesn’t approve of certain bad behavior of his. Mostly, her portraits of such figures as David Bowie and Bryan Adams are affectionate, and the secrets she reveals aren’t terribly shocking. Those fishnet stockings and short skirts, she lets slip, were more practical than prurient, the stockings running less easily than nylons and the short skirts “easier for dancing because they left my legs free."
Fans of Aunty Entity and the lady who showed Mick Jagger his best moves will delight in Turner’s lightly spun memoir.Pub Date: Oct. 16, 2018
ISBN: 978-1-5011-9824-3
Page Count: 272
Publisher: Atria
Review Posted Online: Nov. 13, 2018
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
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