Mama may be a "monster" who lives in a cave in back of the house and frightens neighbors with her moods, but she also paints (her true calling, it seems), gardens, bakes cookies, and has "the sweetest touch in the world" when her son is ill. Like her, Patrick Edward is fearless: When bullies taunt him ("Your mother wears army boots") and tie him up, he bursts his bonds and breaks their baseball bat. His mighty roar summons Mama, who chases the bullies home to make a new cake to replace the one they've just destroyed. The cake is shared; Mama gives Patrick Edward a hug ("I am your mother, even if I am a monster—and I love you"); and the admiring boys depart, remarking, "Your mother is something else." Sendak's Wild Things embody a child's inner life; here, parents' mysterious, often scary vagaries are personified by an extraordinary mother who is unpredictable, even fierce, but also creative, nurturing, and the source of her child's strength. Gammell's vibrant, freely rendered paintings magnify the ambivalence: clouds of dark lurk behind pervasive splashes of brilliant color; unkempt Mama, with hairy arms and pointy, multicolored fingernails, is almost terrifyingly bizarre; but the sturdy boy with his shock of tangerine hair is clearly a secure little person who can handle whatever life brings. This is not for the literal-minded: those who read the thematic title as an oxymoron may also feel challenged by the gorgeous, if unconventional, art. A splendid book that reaches deep into truth, not all of it cozy, and comes up smiling. (Picture book. 4-8)
Pub Date: March 1, 1993
ISBN: 0-399-21989-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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