Fans of Otis will not be disappointed with the satisfying ending that results in a creative solution and a most happy...
Lovable Otis the tractor is back for a third adventure, in which he overcomes his fear to help out a new canine friend.
Otis and his animal buddies, including the calf and bull from previous titles, play hide-and-seek after working on the farm. With a “one-putt, two-puff, three-puttedy four-chuff,” Otis begins his turn as “it,” which he especially likes. One day, the farmer brings an adorable young pup to the farm, and he immediately wins the hearts of all with his wriggling and wagging and an abundance of wet kisses. But after night falls, the puppy whimpers when he is left alone in his very dark doghouse outside the barn. Otis invites him inside to sleep next to him, and a special friendship forms. The story takes a turn when the puppy, instead of hiding as he is supposed to, gets distracted. In this spread, Long separates the text from what he depicts in the classic-feeling illustrations in gouache and pencil. While the language describes Otis discovering his friends in their silly hiding places—bull is “behind a lone dandelion”—a series of spot images shows the pup following a butterfly until he becomes hopelessly lost in the dark forest. Long contrasts the bright daytime farm scenes with the deepest darks of night to heighten the drama, for Otis must first cope with his own fear of the dark before rescuing his friend.
Fans of Otis will not be disappointed with the satisfying ending that results in a creative solution and a most happy reunion. Seek this out—“game on!” (Picture book. 4-7)Pub Date: March 12, 2013
ISBN: 978-0-399-25469-7
Page Count: 40
Publisher: Philomel
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
SEEN & HEARD
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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