A jam-packed ride through early-20th-century performance culture, if one can hold on.
Raised on the road with vaudevillian parents and gifted with a golden voice, young Teresa LeClair sets out to “shoot for the stars—or die trying” in Ketchum’s newest historical novel.
Though Resa longs for fame and the bright lights of the stage, her French-Canadian father has other plans. He expects the 15-year-old white girl to put her perfect pitch to work at the Estey organ factory in Brattleboro, Vermont. Victory in a local singing competition and taunting encouragement from a young African-American tap dancer, Pietro Jones, compel Teresa to run away to New York City rather than settle for a life in the tuning rooms of Estey. Restrictions on young performers as well as the specter of segregation and racial inequality are consistent trials throughout the story. Discussion of the practice of blackface will likely give some readers pause. The pace is quick, but at times it’s to the detriment of narrative flow, as readers must pause to recalibrate how they arrived at many plot points. Many characters come and go without much development, as if plugged in simply to fill holes, but this also serves to illustrate the transient nature of life in the theater.
A jam-packed ride through early-20th-century performance culture, if one can hold on. (list of songs, author’s note, glossary, bibliography) (Historical fiction. 12-16)Pub Date: Jan. 1, 2017
ISBN: 978-1-4405-9876-0
Page Count: 256
Publisher: Merit Press
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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