An engaging orphanage tale with enough optimism to counterbalance the narrative’s distressing core.
A coming-of-age novel focuses on a girl born in 1954 who spends her childhood and teenage years in and out of a small-town orphanage.
Rileigh Ophelia Horton, the charming narrator of this disturbing tale, is 6 years old when her unwed mother, Ophelia, suffers from an economic and emotional downward spiral. Ophelia places her daughter in The Margaret Lloyd Stansel’s Children’s Asylum of Abbottville, Georgia. Rileigh soon discovers that most of the kids in the orphanage, who supposedly have no one to care for them, do in fact have one or two living parents or at least an extended family. Despite the condemnation of society and her family, Ophelia had tried to raise the little girl on her own for six years. Sadly, Ophelia’s dependency on alcohol and her proclivity for poor choices in male companions finally took their toll. It is a terrifying first night for Rileigh, who thought her mamma was just taking her on a road trip. But she quickly bonds with four other 6-year-olds— Kirbie Jo Givens, Marla Norris, Loretta Thomas, and Marydale Brown. The five kids form a tight friendship, a sisterhood that lasts well after they have all aged out of the system. The novel is a collection of poignant, sometimes heartbreaking episodes that recall the hopes, bitter disappointments, and triumphs of the next 12 years of Rileigh’s life. Her mother’s visits are painfully rare. Several times, Ophelia brings her back home—until things fall apart again and Rileigh must return to the institution that she calls her “other home.” It is a sad story that contains a surprising buoyancy in spirit. These girls remain resilient in the face of mistreatment, even abuse. Eadie peppers her prose with the vernacular of the time and place, and Rileigh is always ready with a sarcastic, amusing description. Referring to the children in her elementary school who did not come from the orphanage, she says: “We had no more chance to be their friends than a cat in hell with gasoline drawers on.” But the author’s overuse of Rileigh’s standard transitional term anywho becomes irritating.
An engaging orphanage tale with enough optimism to counterbalance the narrative’s distressing core.Pub Date: Jan. 30, 2022
ISBN: 979-8410158657
Page Count: 198
Publisher: Independently Published
Review Posted Online: June 27, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.
When a man accused of rape turns up dead, an Early American town seeks justice amid rumors and controversy.
Lawhon’s fifth work of historical fiction is inspired by the true story and diaries of midwife Martha Ballard of Hallowell, Maine, a character she brings to life brilliantly here. As Martha tells her patient in an opening chapter set in 1789, “You need not fear….In all my years attending women in childbirth, I have never lost a mother.” This track record grows in numerous compelling scenes of labor and delivery, particularly one in which Martha has to clean up after the mistakes of a pompous doctor educated at Harvard, one of her nemeses in a town that roils with gossip and disrespect for women’s abilities. Supposedly, the only time a midwife can testify in court is regarding paternity when a woman gives birth out of wedlock—but Martha also takes the witness stand in the rape case against a dead man named Joshua Burgess and his living friend Col. Joseph North, whose role as judge in local court proceedings has made the victim, Rebecca Foster, reluctant to make her complaint public. Further complications are numerous: North has control over the Ballard family's lease on their property; Rebecca is carrying the child of one of her rapists; Martha’s son was seen fighting with Joshua Burgess on the day of his death. Lawhon weaves all this into a richly satisfying drama that moves suspensefully between childbed, courtroom, and the banks of the Kennebec River. The undimmed romance between 40-something Martha and her husband, Ephraim, adds a racy flair to the proceedings. Knowing how rare the quality of their relationship is sharpens the intensity of Martha’s gaze as she watches the romantic lives of her grown children unfold. As she did with Nancy Wake in Code Name Hélène (2020), Lawhon creates a stirring portrait of a real-life heroine and, as in all her books, includes an endnote with detailed background.
A vivid, exciting page-turner from one of our most interesting authors of historical fiction.Pub Date: Dec. 5, 2023
ISBN: 9780385546874
Page Count: 448
Publisher: Doubleday
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 15, 2023
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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