Award-winning Alexander's stories have often taken inspiration from Welsh mythology. This time, an imaginary epic is the pivot for an adventure set in a not-quite-possible kingdom on the Adriatic 100 years ago. Vesper Holly, 16, orphaned by the death of her scholar father, welcomes his lifelong friends, Professor Brinton Garrett (Brinnie) and his wife, who come to Philadelphia to provide for her future life. But Vesper is determined to go with him to Illyria to fulfil her father's dream of proving that the Illyriad, an epic poem presenting the country's mythology, is rooted in history. Brinnie soon is provisioning an expedition to Illyria. Nothing is an obstacle to Vesper, a brilliant, fearless and determined young woman. It quickly becomes apparent that the wars between the Illyrians and the Zentans, both indigenous ethnic groups, are as alive in 1872 as they were in mythological times. It is also clear that the two warring kings of long ago had intended to make peace and that a treasure was involved. When Vesper and Brinnie explore the ruins of King Vartan's castle, they find the treasure that would have been the token of peace. Vesper makes peace by showing the two leaders in her own time that their ancestors would have settled their wars had it not been for deception and unwillingness on both sides to be the first to forgive and give up the quarrel. A truly exciting story, it carries the reader along to a triumphant conclusion and the hope that Vesper may have another adventure before she settles down—perhaps in Illyria, where she seems to have left her heart.
Pub Date: April 1, 1986
ISBN: 0141303131
Page Count: 148
Publisher: Dutton
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: March 15, 1986
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
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