by Lloyd Burlingame ‧ RELEASE DATE: Sept. 30, 2014
In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in...
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In this candid memoir, Broadway and opera stage designer Burlingame (Sets, Lights, & Lunacy: A Stage Designer’s Adventures on Broadway and in Opera, 2013, etc.) shines the spotlight on his broken childhood and his painful—but enlightening—loss of eyesight.
In 1966, Burlingame was only 31 but was just starting to receive professional accolades as a stage designer on Broadway in addition to his working with the renowned producer David Merrick. Burlingame ultimately became co-chair of the design department at NYU’s Tisch School of the Arts, but he continued to grapple with turmoil caused by his past. As a gay man who grew up in the 1930s and ’40s in Arlington, Virginia, Burlingame had learned to hate himself and his abusive, alcoholic father, who once threatened his mother with an ax. To make matters worse, the author discovered that he was slowly going blind. His job at NYU allowed him the financial privilege of receiving psychological help from Edward Edinger, an influential Jungian analyst. This honest, swiftly paced account details Burlingame’s 20-plus-year journey of self-discovery as he came to terms with the past and prepared for a future without eyesight (he’s now fully blind). A fan of Jungian analysis, Burlingame includes color pictures of his own dream-inspired artwork, as well as descriptions of some meetings with Edinger. He first thought of his blindness as a curse from an evil god who poked out his eyes, and he wondered how a blind artist could be any good. Yet as he realized his own self-worth, he eventually considered his blindness to be a blessing: “Going to the heart of the matter, maybe one way to understand ‘what good is a blind man?’ is to ask the fundamental question ‘what good is any man or woman?’ ” Burlingame admirably reinvented himself: Unable to design sets due to his failing eyesight, he embraced the art of quilting. Though at first he was afraid to walk with a cane through the sometimes-hostile streets of New York City, he eventually fell in love with two guide dogs who helped him navigate. Unlike his father, who committed suicide, Burlingame made peace with the past and at almost 80 has learned to love his inner child and “inner gay brother.”Pub Date: Sept. 30, 2014
ISBN: 978-1500190927
Page Count: 276
Publisher: CreateSpace
Review Posted Online: Nov. 6, 2014
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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