A trombone pulls a long note, to which is added the bite of a trumpet, then the downdraft of a French horn—a solo becomes a duo becomes a trio—and so on until a complete chamber group of ten (one more than a nonet) is assembled. This introduction to the members of the orchestra doubles as a counting book and triples as a cultivated piece of good fun. In his first book, Moss brings a love to classical music that spills from each page: readers' feet will tap to the beat of his verse, and they will hear the throb of horns. And though touched everywhere by whimsy, the book conveys the sense of magic that surrounds an orchestral performance. Priceman's bright gouache concoctions suggest Toulouse-Lautrec in cartoon mode. With nimble wit, she humanizes the musicians, taking away the distance that formal attire, serious purpose, and intense concentration can create. Her characters crackle across the spreads; flamboyant, quick renderings make the instruments come alive, fitting hand in glove with the zippy verse. Put this spirited production in front of readers before their next young people's concert, and show them just what happens after The Philharmonic Gets Dressed (Harper & Row, 1982). (Picture book. 4-10)
Pub Date: March 1, 1995
ISBN: 0-671-88239-2
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1995
BOOK REVIEW
BOOK REVIEW
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)
In this entertaining chapter book, the first in a series, readers meet kind Sir Sidney and the gentle performers and hands in his circus. But Sir Sidney is tired and leaves the circus under the management of new-hire Barnabas Brambles for a week.
That Sir Sidney is beloved by all is quickly established, presenting a sharp contrast to the bully Brambles. The scoundrel immediately comes up with a “to do” list that includes selling the animals and eliminating the mice Bert and Gert. (Gert is almost more distressed by Brambles’ ill-fitting suit and vows to tailor it.) Revealed almost entirely through dialogue, the put-upon animals’ solidarity is endearing. The story, like the circus train now driven by the Famous Flying Banana Brothers, takes absurd loops and turns. The art is fully integrated, illustrating the action and supplementing the text with speech bubbles, facsimile letters and posters, Brambles’ profit-and-loss notes, examples of Gert’s invented vocabulary and more. Brambles’ plans go awry, of course, and he gets his comeuppance. With Bert and Gert acting as his conscience, along with a suit from Gert that finally fits and a dose of forgiveness, Brambles makes a turnaround. Sensitive children may doubt Sir Sidney’s wisdom in leaving his animals with an unscrupulous man, and the closing message is a tad didactic, but that doesn’t blunt the fun too much.
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)Pub Date: Sept. 10, 2013
ISBN: 978-1-61620-244-6
Page Count: 144
Publisher: Algonquin
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With its every detail—its masterful illustrations, its landscape format, and the elegant text that offers readers a way to...
In this picture book based on a true story, a father and daughter pay homage to the valley that will be flooded when a dam under construction is completed.
Early one morning, Kathryn, a young girl, is woken by her father and told, “Bring your fiddle.” They are visiting the valley that will soon be flooded when the Kielder Dam in Northumberland, England, is finished. In each empty house in the abandoned valley, Kathryn plays her fiddle while her father sings, as they remember and commemorate the music and the life that the houses have held. Author Almond’s narrative is quietly spare as it both reinforces and references illustrator Pinfold’s detailed, majestic illustrations—reminiscent of Andrew Wyeth’s work in both palette and grace. When the narrative says, “This was covered over. / This was drowned,” the small spot illustrations opposite, in a somber palette, create a sense of time, movement, and loss. And when, with the flick of the phrase, “The lake is beautiful” concludes the sequence, the narrative and illustrative tones change. Now the page turn reveals a majestic wordless double-page spread of the created lake, painted in soft blues and greens, and ensuing illustrations show people boating, swimming, and playing on the lakeshore.
With its every detail—its masterful illustrations, its landscape format, and the elegant text that offers readers a way to see the promise of new life from what has been destroyed—this book triumphs. (Picture book. 4-10)Pub Date: Sept. 11, 2018
ISBN: 978-0-7636-9597-2
Page Count: 32
Publisher: Candlewick Studio
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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