by Lloyd Reman ‧ RELEASE DATE: May 5, 2014
In this political thriller from Reman (Criminally Innocent, 2014), a conservative talk radio staffer and a liberal activist unite to find out whether corporations are killing Americans.
The famous Randall Excelsior “Rex” Bellenboch is a blowhard conservative talk show host at a Boston radio station. One of his staffers, Kurt, is a rising star in the business and hopes to get on the air himself one day. When Rex orders his underlings to research some of the left’s discredited conspiracy theories so he can humiliate liberals on the air, Kurt gets to work. As he looks into possible corporate misdeeds, he meets Harvard University student and liberal activist Mindy Brand, daughter of a Pulitzer Prize–winning professor. Kurt and Mindy don’t trust each other, but when Mindy faces a crisis and asks Kurt to help her, he reluctantly agrees. Despite the book’s boilerplate liberal-is-good, conservative-is-bad premise, readers who enjoy a good mystery will look past the stereotypes to focus on the story, which eventually gives Mindy and Kurt an intriguing ally: a former Navy SEAL with a pornography problem and other mental difficulties. Readers will wonder who he really is, and whose side he’s really on. The investigation expands to include the FBI, the CIA and a pharmaceutical company, and at one point, there’s a torture scene involving a Middle Eastern suspect that’s so gruesome it would make 24’s Jack Bauer blush. Reman’s strongest suit is sharp dialogue (“Sometimes we have to make choices.” “I might get killed and you call it a choice?”). However, the book sometimes delivers stilted descriptions: “After further discussion, they each got their respective laptops and made their way to the living room.” Occasionally, some aspects of characterization seem unrealistic; for example, when Mindy asks Kurt whether he’d be bothered if she used explosives to kill someone, he’s strangely not very troubled at all. However, as the book races to its conclusion, Reman does manage to throw some curveballs that make the novel a satisfying read.
A fun thriller for conspiracy buffs of all political stripes.
Pub Date: May 5, 2014
ISBN: 978-1491726808
Page Count: 330
Publisher: iUniverse
Review Posted Online: July 21, 2014
Review Program: Kirkus Indie
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by Lloyd Reman
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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90
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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