Likable protagonists and a fascinating historical backdrop combine for a story well-told.
In the companion to Under A War-Torn Sky (2003), 14-year-old Charles and his 10-year-old brother, Wesley, feel stranded in the United States after having fled the London Blitz.
The Ratcliff farm in Virginia is a far cry from London, but the Bishop boys are safe from nightly bombs and have survived an ocean crossing fraught with the danger of lurking Nazi submarines. Charles is making the best of his new life with school, girls and football, but Wesley is wretched. He’s homesick, nightmares of firebombs disturb his sleep, and he’s being picked on by Ron, the Ratcliffs’ middle son. The theme of outsiders fitting in grows complicated as Wesley befriends an African-American boy and learns the ways of segregation in Virginia at the time. His image of cowboys and Indians doesn’t hold up when he meets Paul Johns, who is Chickahominy and lives in a regular house, not a tepee. And the German prisoners of war working the Ratcliff farm, Wesley and Charles learn, can’t be lumped together as evil Nazis; some aren’t even Nazis. An extensive afterword fills in the historical context, though no bibliography is included.
Likable protagonists and a fascinating historical backdrop combine for a story well-told. (Historical fiction. 10-14)Pub Date: April 1, 2014
ISBN: 978-1-4231-5755-7
Page Count: 256
Publisher: Disney-Hyperion
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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