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A THOUSAND BILLION THINGS (AND SOME SHEEP)

A rare display of artistic invention, with rewards aplenty for close viewing.

A child’s world is brimming with choices—until it comes to bedtime.

The title seems hardly an exaggeration, as all but a small corner of each spread is jam-crammed full of tiny, nonrepeating images of foodstuffs and other (to use the French original’s term) “trucs” that a young, white narrator encounters while going from breakfast to dinner. Viewers willing to follow along will be confronted with challenges to pick out from the teeming pages six rubber ducks, a nibbled carrot, a frog mask, and like items. Perhaps even more compelling is the temptation to linger over each extravagant outpouring of tiny but finely drawn, individually distinct flora, fauna (the day’s round includes a visit to an aquarium), enticing toys, mouthwatering pastries, items of clothing, and more. Then, instead of options, bedtime brings only a gazillion all-too-similar sheep to count: “WHERE’S THE FUN IN THAT?” the narrator grumpily concludes. Many will agree, though an earlier “I wonder if all this choice is an eternal delight or an infernal torment” may prompt more-reflective sorts to wonder the same. Happily, to ease any incipient frustration, there is a visual key (sans a total for those sheep, though) at the end.

A rare display of artistic invention, with rewards aplenty for close viewing. (Picture book. 6-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-910277-42-3

Page Count: 32

Publisher: Words & Pictures

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

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RALPH TELLS A STORY

An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some...

With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.

Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.

An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)

Pub Date: Sept. 18, 2012

ISBN: 978-0761461807

Page Count: 32

Publisher: Amazon Children's Publishing

Review Posted Online: Aug. 21, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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