A rare display of artistic invention, with rewards aplenty for close viewing.
A child’s world is brimming with choices—until it comes to bedtime.
The title seems hardly an exaggeration, as all but a small corner of each spread is jam-crammed full of tiny, nonrepeating images of foodstuffs and other (to use the French original’s term) “trucs” that a young, white narrator encounters while going from breakfast to dinner. Viewers willing to follow along will be confronted with challenges to pick out from the teeming pages six rubber ducks, a nibbled carrot, a frog mask, and like items. Perhaps even more compelling is the temptation to linger over each extravagant outpouring of tiny but finely drawn, individually distinct flora, fauna (the day’s round includes a visit to an aquarium), enticing toys, mouthwatering pastries, items of clothing, and more. Then, instead of options, bedtime brings only a gazillion all-too-similar sheep to count: “WHERE’S THE FUN IN THAT?” the narrator grumpily concludes. Many will agree, though an earlier “I wonder if all this choice is an eternal delight or an infernal torment” may prompt more-reflective sorts to wonder the same. Happily, to ease any incipient frustration, there is a visual key (sans a total for those sheep, though) at the end.
A rare display of artistic invention, with rewards aplenty for close viewing. (Picture book. 6-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-910277-42-3
Page Count: 32
Publisher: words & pictures
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
The king can’t beat them, so he joins them, clueless until the end, and kids will giggle all the way. (Picture book. 6-8)
Barnett delivers a sweet slap to vanity.
This king is neither toady nor tyrant, but he just can’t get enough of himself. He gazes into the mirror that one of his retainers totes by his side, smitten and remiss. For as he takes in the royal visage, the royal roads are crumbling and the royal playground has broken swings—his kingdom is a wreck of neglect. “Enough!” cry his subjects, but all the king offers is a giant billboard of his face. That night, a giant mustache is painted on the royal puss. Outraged, the king wants the culprit flung in jail. The wanted posters, of course, feature the king’s face. More mustaches materialize. “So he slouched in the Royal Throne. ‘Look at my wonderful face,’ he said. ‘Who could be doing this to me?’ ” Well, everyone. Cornell ushers the story forward with cinematic artwork, framed in elaborate medieval-like borders but paced sequentially like a comic book. As the town inadvertently re-creates itself—everybody admits their guilt, everybody must go to jail, which means a big expansion project for the prison, which results in a whole new village—there comes a bloodless revolution.
The king can’t beat them, so he joins them, clueless until the end, and kids will giggle all the way. (Picture book. 6-8)Pub Date: Oct. 18, 2011
ISBN: 978-1-4231-1671-4
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to...
With elements reminiscent of many different stories, this original tale features a beloved young girl named Chandra (moon in Hindi) who loses her parents in a terrible flood during monsoon season.
The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to work hard. Her only pleasure is playing her mother’s flute, put into her hands as her parents saved her from the raging river, but her cruel relatives take the little instrument. Chandra, who never loses hope, hears the flute and begins to find a daily meal of rice, lentils and eggplant. As everyone else starves during the drought-ridden season, she is accused of using “unholy magic,” and her uncle purposely pushes her into the next monsoon’s floodwaters. Miraculously, the flute sounds again, and the girl follows its sound until a rope pulls her to safety and into the hearts of a new set of loving parents. The dramatic illustrations create a strong, rural south Indian setting, with their quick black lines, almost-solid black bodies and bold use of red and blue, with just a hint of yellow for the moon. A traditional tale’s comeuppance for (and possible forgiveness of) the evil relatives is missing here, though, resulting in a narrative that feels incomplete.Pub Date: Feb. 15, 2012
ISBN: 978-1-896580-57-9
Page Count: 32
Publisher: Tradewind Books
Review Posted Online: Jan. 8, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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