The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to...

READ REVIEW

THE FLUTE

With elements reminiscent of many different stories, this original tale features a beloved young girl named Chandra (moon in Hindi) who loses her parents in a terrible flood during monsoon season.

The Cinderella-like orphan is grudgingly taken in by her mean aunt and uncle, but she is denied adequate food and forced to work hard. Her only pleasure is playing her mother’s flute, put into her hands as her parents saved her from the raging river, but her cruel relatives take the little instrument. Chandra, who never loses hope, hears the flute and begins to find a daily meal of rice, lentils and eggplant. As everyone else starves during the drought-ridden season, she is accused of using “unholy magic,” and her uncle purposely pushes her into the next monsoon’s floodwaters. Miraculously, the flute sounds again, and the girl follows its sound until a rope pulls her to safety and into the hearts of a new set of loving parents. The dramatic illustrations create a strong, rural south Indian setting, with their quick black lines, almost-solid black bodies and bold use of red and blue, with just a hint of yellow for the moon. A traditional tale’s comeuppance for (and possible forgiveness of) the evil relatives is missing here, though, resulting in a narrative that feels incomplete.

Pub Date: Feb. 15, 2012

ISBN: 978-1-896580-57-9

Page Count: 32

Publisher: Tradewind Books

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

Did you like this book?

No Comments Yet

An all-day sugar rush, putting the “fun” back into, er, education.

IF I BUILT A SCHOOL

A young visionary describes his ideal school: “Perfectly planned and impeccably clean. / On a scale, 1 to 10, it’s more like 15!”

In keeping with the self-indulgently fanciful lines of If I Built a Car (2005) and If I Built a House (2012), young Jack outlines in Seussian rhyme a shiny, bright, futuristic facility in which students are swept to open-roofed classes in clear tubes, there are no tests but lots of field trips, and art, music, and science are afterthoughts next to the huge and awesome gym, playground, and lunchroom. A robot and lots of cute puppies (including one in a wheeled cart) greet students at the door, robotically made-to-order lunches range from “PB & jelly to squid, lightly seared,” and the library’s books are all animated popups rather than the “everyday regular” sorts. There are no guards to be seen in the spacious hallways—hardly any adults at all, come to that—and the sparse coed student body features light- and dark-skinned figures in roughly equal numbers, a few with Asian features, and one in a wheelchair. Aside from the lack of restrooms, it seems an idyllic environment—at least for dog-loving children who prefer sports and play over quieter pursuits.

An all-day sugar rush, putting the “fun” back into, er, education. (Picture book. 6-8)

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-55291-8

Page Count: 32

Publisher: Dial

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet

Too thin to fly as either tour or tribute but a memorable showcase nonetheless for a talented French paper artist.

MARY POPPINS UP, UP AND AWAY

From the Up, Up and Away series

Silhouettes, both printed and laser-cut, add sparkle to a quick tour of London sites and starry skies conducted by Mary Poppins.

Michael and Jane are thrilled when their nanny (literally) drops in on the end of a kite string, and spit-spot they’re off to see Buckingham Palace, Big Ben, and Piccadilly—followed by an undersea visit and a flight through comet-filled skies to a circus of constellations. As the text, translated without credit from the original French, is confined to a few wooden couplets along the lines of “On Cherry Tree Lane, it’s a nice day to dream… / To walk in the park or to eat an ice cream,” the stars of the show are Druvert’s illustrations. The black, cut pages are designed to be flipped back and forth to fill in printed cityscapes, marine scenes, and speckled firmaments with fine detail. The marvelous intricacy of the cutout fences, ironwork, trees, strands of seaweed, and small human figures leaves those pages too fragile to survive even moderately careless handling intact, but the intensely black overlay (along with a subtle use of gray tones in the backgrounds) creates a sense of depth and, often, an evocative shimmer of light. A large die-cut window in the front cover offers a hint of the visual pleasures within.

Too thin to fly as either tour or tribute but a memorable showcase nonetheless for a talented French paper artist. (Picture book. 6-8)

Pub Date: Jan. 31, 2017

ISBN: 978-0-500-65104-9

Page Count: 36

Publisher: Thames & Hudson

Review Posted Online: Nov. 16, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Did you like this book?

No Comments Yet
more