by Lois Sepahban ‧ RELEASE DATE: Jan. 5, 2016
During World War II, Manami and her parents and grandfather are forced to relocate from Bainbridge Island in Washington to Manzanar, an internment camp in California for Japanese-Americans.
As they’re about to leave behind everything they own, Manami snatches Yujiin, their beloved dog, into her coat before anyone sees. Sadly, a soldier catches Manami, and Yujiin is left behind in a crate. Heartbroken, guilt-ridden over Yujiin, and fearful of their Manzanar “prison-village,” Manami loses her voice. The relentless, swirling red dirt that coats her throat with mud worsens her silence. Her parents try to make a home in their one-room barrack, while their son, Ron, leaves college to join them. A breath of fresh air is felt when Manami meets her teacher, Miss Rosalie, who doesn’t make her speak but offers Manami plenty of paper and pencils. When Manami sends hand-drawn messages via the wind to Yujiin, she hopes that the little dog will get them and find his way back home. Hardships, injustice, and the emotional truth of Manami’s camp life are thoughtfully portrayed through simple and heart-rending prose. Despite the barbed wire fence and harsh climate, Mother’s garden, mounds bearing garlic and onion seeds, becomes a symbol for resiliency. Graceful moments between Manami and Grandfather shine, giving hope to an unbearable situation.
This historical debut speaks volumes of love and longing. (author’s note) (Historical fiction. 8-12)Pub Date: Jan. 5, 2016
ISBN: 978-0-374-30216-0
Page Count: 192
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: Sept. 15, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S HISTORICAL FICTION
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by Katherine Applegate ; illustrated by Patricia Castelao ‧ RELEASE DATE: May 2, 2023
In this follow-up to 2020’s The One and Only Bob, Ruby the elephant is still living at Wildworld Zoological Park and Sanctuary.
She’s apprehensive about her Tuskday, a rite of passage for young elephants when she’ll give a speech in front of the rest of the herd. Luckily, she can confide in her Uncle Ivan, who is next door in Gorilla World, and Uncle Bob, the dog who lives nearby with human friend Julia. Ruby was born in an unspecified part of Africa, later ending up on display in the mall, where she met Ivan, Bob, and Julia. The unexpected arrival of someone from Ruby’s past life on the savanna revives memories both warmly nostalgic and deeply traumatic. An elephant glossary and Castelao’s charming, illustrated guide to elephant body language help immerse readers in Ruby’s world. Goofy, playful, and mischievous Ruby is fully dimensional, as she has shown her bravery during the many hardships of her young life. Applegate deftly tempers themes of grief and loss with compassion and humor as Ruby finds her place in the herd. The author’s note touches on climate change, the illegal ivory trade, and conservation efforts, but the highly emotive framing of the story through the memories of a bewildered baby elephant emphasizes the impact of lines such as “ ‘in Africa,’ I say softly, ‘there were bad people,’ ” without offering readers a nuanced understanding of the broader context that drives poaching.
Certain to steal hearts. (Fiction. 8-12)Pub Date: May 2, 2023
ISBN: 9780063080089
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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by Judy Blume ‧ RELEASE DATE: Oct. 1, 1970
The comical longings of little girls who want to be big girls—exercising to the chant of "We must—we must—increase our bust!"—and the wistful longing of Margaret, who talks comfortably to God, for a religion, come together as her anxiety to be normal, which is natural enough in sixth grade.
And if that's what we want to tell kids, this is a fresh, unclinical case in point: Mrs. Blume (Iggie's House, 1969) has an easy way with words and some choice ones when the occasion arises. But there's danger in the preoccupation with the physical signs of puberty—with growing into a Playboy centerfold, the goal here, though the one girl in the class who's on her way rues it; and with menstruating sooner rather than later —calming Margaret, her mother says she was a late one, but the happy ending is the first drop of blood: the effect is to confirm common anxieties instead of allaying them. (And countertrends notwithstanding, much is made of that first bra, that first dab of lipstick.) More promising is Margaret's pursuit of religion: to decide for herself (earlier than her 'liberal' parents intended), she goes to temple with a grandmother, to church with a friend; but neither makes any sense to her—"Twelve is very late to learn." Fortunately, after a disillusioning sectarian dispute, she resumes talking to God…to thank him for that telltale sign of womanhood.
Which raises the last question: of a satirical stance in lieu of a perspective.Pub Date: Oct. 1, 1970
ISBN: 978-1-4814-1397-8
Page Count: 157
Publisher: Bradbury
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Oct. 1, 1970
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S RELIGIOUS FICTION
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