Deliciously addictive—a family drama with compelling social commentary.
A mother and daughter in Sweden struggle to overcome the effects of colonial thinking about their Black bodies.
“Honey” is the title of 20-year-old Tina’s hit single, a song that is catapulting her to the 2006 Eurovision Song Contest. The honey refers to her own striking eyes, inherited from the white Swedish father she’s never known. As Tina navigates fame and failure, with the support of her white boyfriend, Sebastian, the narrative swings back to her mother Nancy’s arrival in Sweden from Gambia in the 1970s, a scholarship student with political ambitions. At university, she falls in love with Malik, but there is another man on the scene, anthropology professor Lars Wikström, who speaks their native language and is besotted with Nancy. When Lars insists on photographing his “muse” for a series of paintings and Malik is sent back to Gambia on trumped-up charges, Nancy is left vulnerable to the older man who has been grooming her. Nancy ends up pregnant, her dreams derailed, while the erotic paintings, Lars’ colonization of her body, make him a millionaire. As the novel progresses, chapters toggling between Nancy in the ’80s and Tina in the ’00s, it becomes clear that both mother and daughter have to struggle with authenticity in a society eager to label and commodify their Blackness. Tina, who has become a target for racially motivated derision in her native Sweden, accepts an offer to record an album in Los Angeles. When the two timelines finally converge, villainous Lars reappears. The exploration of identity is nicely paired with just enough melodrama—drug- and sex-fueled Hollywood parties, shocking secrets, explosive confrontations, and the angst of an artist—to keep the plot buzzing along.
Deliciously addictive—a family drama with compelling social commentary.Pub Date: Nov. 4, 2025
ISBN: 9780063317024
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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