Deliciously addictive—a family drama with compelling social commentary.
A mother and daughter in Sweden struggle to overcome the effects of colonial thinking about their Black bodies.
“Honey” is the title of 20-year-old Tina’s hit single, a song that is catapulting her to the 2006 Eurovision Song Contest. The honey refers to her own striking eyes, inherited from the white Swedish father she’s never known. As Tina navigates fame and failure, with the support of her white boyfriend, Sebastian, the narrative swings back to her mother Nancy’s arrival in Sweden from Gambia in the 1970s, a scholarship student with political ambitions. At university, she falls in love with Malik, but there is another man on the scene, anthropology professor Lars Wikström, who speaks their native language and is besotted with Nancy. When Lars insists on photographing his “muse” for a series of paintings and Malik is sent back to Gambia on trumped-up charges, Nancy is left vulnerable to the older man who has been grooming her. Nancy ends up pregnant, her dreams derailed, while the erotic paintings, Lars’ colonization of her body, make him a millionaire. As the novel progresses, chapters toggling between Nancy in the ’80s and Tina in the ’00s, it becomes clear that both mother and daughter have to struggle with authenticity in a society eager to label and commodify their Blackness. Tina, who has become a target for racially motivated derision in her native Sweden, accepts an offer to record an album in Los Angeles. When the two timelines finally converge, villainous Lars reappears. The exploration of identity is nicely paired with just enough melodrama—drug- and sex-fueled Hollywood parties, shocking secrets, explosive confrontations, and the angst of an artist—to keep the plot buzzing along.
Deliciously addictive—a family drama with compelling social commentary.Pub Date: Nov. 4, 2025
ISBN: 9780063317024
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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