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BILLY GASHADE

In a delightful if remarkably unsentimental change of pace, Estleman (Stress, 1996, etc.) offers an engaging account of an innocent abroad in the Wild West. Looking back on a long and eventful life from Depression-era Hollywood, the octogenarian narrator recalls his lost youth. Obliged to flee New York City at age 16 after badly injuring a Tweed crony during the draft riots of 1863, he left behind his privileged status as the only son of a wealthy businessman. Adopting the name Billy Gashade, the well-bred tenderfoot finds refuge in a Kansas brothel where both the soiled doves and their clients fancy his piano-playing abilities. Captured in the course of a brutal attack by Quantrill's Raiders, Billy rides with the guerrillas and is befriended by Frank James. After Appomattox, the wandering minstrel (who learns to play the banjo and guitar on his educational travels) winds up in Fort Riley, Texas, where he encounters commanding officer George Armstrong Custer. By now a self-sufficient rover, the erstwhile aesthete, who's developed a taste for wine and women as well as for the songs he sings to get his supper, treks the frontier. Along his wayward way, the resolutely nonviolent Billy has brief encounters with the likes of William Bonney (a.k.a. Billy the Kid), Chief Crazy Horse, John Wesley Hardin, Wild Bill Hickok, and Oscar Wilde. Having loved and lost (to consumption) the fair young maid to whom he was paroled after running whiskey to Indians in the Oklahoma Territory, Billy returns to Manhattan nearly 20 years after bolting it, just in time to bid farewell to his dying father. Parlaying his musical talents into a low-profile career in Tin Pan Alley, he eventually heads West once again, this time with the infant film industry. A fine picaresque tale that brings to vivid, mock-heroic life many of American history's western icons. (Author tour)

Pub Date: April 16, 1997

ISBN: 0-312-85997-X

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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