In a delightful if remarkably unsentimental change of pace, Estleman (Stress, 1996, etc.) offers an engaging account of an innocent abroad in the Wild West. Looking back on a long and eventful life from Depression-era Hollywood, the octogenarian narrator recalls his lost youth. Obliged to flee New York City at age 16 after badly injuring a Tweed crony during the draft riots of 1863, he left behind his privileged status as the only son of a wealthy businessman. Adopting the name Billy Gashade, the well-bred tenderfoot finds refuge in a Kansas brothel where both the soiled doves and their clients fancy his piano-playing abilities. Captured in the course of a brutal attack by Quantrill's Raiders, Billy rides with the guerrillas and is befriended by Frank James. After Appomattox, the wandering minstrel (who learns to play the banjo and guitar on his educational travels) winds up in Fort Riley, Texas, where he encounters commanding officer George Armstrong Custer. By now a self-sufficient rover, the erstwhile aesthete, who's developed a taste for wine and women as well as for the songs he sings to get his supper, treks the frontier. Along his wayward way, the resolutely nonviolent Billy has brief encounters with the likes of William Bonney (a.k.a. Billy the Kid), Chief Crazy Horse, John Wesley Hardin, Wild Bill Hickok, and Oscar Wilde. Having loved and lost (to consumption) the fair young maid to whom he was paroled after running whiskey to Indians in the Oklahoma Territory, Billy returns to Manhattan nearly 20 years after bolting it, just in time to bid farewell to his dying father. Parlaying his musical talents into a low-profile career in Tin Pan Alley, he eventually heads West once again, this time with the infant film industry. A fine picaresque tale that brings to vivid, mock-heroic life many of American history's western icons. (Author tour)
Pub Date: April 16, 1997
ISBN: 0-312-85997-X
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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