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SCREEN QUEENS

A fun and uplifting story that celebrates female friendship and empowerment. (Fiction. 12-18)

Three smart and tech-savvy teenage girls are teamed up at ValleyStart, the country’s most prestigious high school tech incubator competition.

The prize is an internship with Pulse, the ultimate app that calculates each user’s level of influence across social media platforms. Palo Alto native Lucy Katz, a determined young socialite in the top percentile of her class, plans to elevate her unimpressive Pulse level and get into Stanford University with a win at ValleyStart. Maddie Li, a gifted graphic designer from Cambridge, Massachusetts, could care less about her Pulse score and is only at ValleyStart to build her portfolio. Shy Delia Meyer, a self-taught coder from Littlewood, Illinois, hopes that a Pulse internship will lead to a job that will not require an expensive college education. Upon their first meeting, the three feel incompatible. But the chance to become the first all-female team to win at ValleyStart raises the stakes, encouraging them to prove themselves in a male-dominated field and pave the way for other young women engineers. Predictably, all three fit a specific archetype—Lucy, the fearless leader; Maddie, the tough chick; Delia, the quiet X factor. But their teamwork and appreciation toward women entrepreneurs who came before them make this a welcome addition to the literature. Lucy is white and Jewish, Delia is white, and Maddie is half Irish/half Chinese.

A fun and uplifting story that celebrates female friendship and empowerment. (Fiction. 12-18)

Pub Date: June 11, 2019

ISBN: 978-0-4514-8159-7

Page Count: 368

Publisher: Razorbill/Penguin

Review Posted Online: March 6, 2019

Kirkus Reviews Issue: April 1, 2019

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HAZELTHORN

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.

A family’s secrets rise to the surface as a young man investigates a suspected murder.

Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)

Pub Date: Oct. 28, 2025

ISBN: 9781250376299

Page Count: 368

Publisher: Feiwel & Friends

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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