edited by Lori M. Carlson ‧ RELEASE DATE: July 1, 1994
The founder of the bilingual children's magazine Azul offers a collection of poetry by Gary Soto, Oscar Hijuelos (who also contributes an introduction) and other contemporary Latino writers from both the edges and the heartland of our country. Most, but not all, of the poems were written in English first; they appear here in the original, and also in translations: sometimes literal, sometimes free, sometimes by the poet, generally by another. Gathered by theme—``School Days,'' ``Hard Times,'' ``Time To Party,'' etc.—they express a wide range of experience and feeling in direct ways, from Gina ValdÇs's ironic ``English con Salsa'' (``Welcome to ESL 100, English Surely Latinized'') or Pat Mora's ``Mango Juice'' (``Eating mangoes/on a stick/is laughing/as gold juice/slides down/your chin...'') to Luis J. Rodr°guez's account of being beaten upon venturing into a white neighborhood to buy groceries (`` `Race' Politics''). Six of the poems here are truly bilingual, mixing languages in intriguing ways. In ``Why Do Men Wear Earrings on One Ear?'' Trinidad Sanchez Jr. exclaims: ``Sepa yo!/Maybe por costumbre, maybe porque es la moda/or they have made promesas...because la chica selling them was sooooo mamacita...'' Carlson assumes that most of her readers will be more comfortable in English; the English version of each poem comes first, and Spanish phrases are translated (``Sepa yo: How should I know?'') in an appended glossary. Poetry with a distinct flavor: a skillfully mixed appetizer for After Aztlan: Latino Poets of the Nineties (1992) and other larger collections. Biographical sketches. (Poetry. 10-up)
Pub Date: July 1, 1994
ISBN: 0-8050-3135-9
Page Count: 96
Publisher: Henry Holt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1994
Categories: CHILDREN'S GENERAL CHILDREN'S
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edited by Lori M. Carlson
by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2000
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Richard Peck ; illustrated by Kelly Murphy
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by Richard Peck illustrated by Kelly Murphy
by Minfong Ho ‧ RELEASE DATE: Oct. 1, 1991
Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)
Pub Date: Oct. 1, 1991
ISBN: 0-374-31340-7
Page Count: 163
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 1, 1991
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Minfong Ho ; illustrated by Frances Alvarez
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by Minfong Ho & illustrated by Holly Meade
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