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AGGIE GETS LOST

Anyone who has worried about the loss of a special friend will understand the feelings involved with great sympathy and...

In three short chapters filled with many short words, readers will recognize a child's trauma about a lost pet.

Ben, whom readers have met before in the Aggie and Ben series, is a conscientious person to his little dog, Aggie. He takes good care of her, feeds her, gives her large quantities of attention and affection and shares the bed, which he thinks is his and she knows is hers. But on her walk in the park, Aggie chases the red ball that she usually returns to him and doesn't come back. She is lost. Ben and his parents do everything they can to find their special friend, posting signs, searching, asking others—to no avail. After a terrible night, the boy returns to the park, where they again encounter friends, to resume the search. Mr. Thomas, who is blind, suggests that Ben use his ears to locate her. Eureka! He hears her howl, she is found and everyone is happy. Despite her bad breath and, worse, the stench of something Aggie has rolled in—a not uncommon habit of pups—all ends well. Art in pen, ink and watercolor shows the characters and their emotions clearly in a faux childlike drawing style.

Anyone who has worried about the loss of a special friend will understand the feelings involved with great sympathy and empathy. (Easy reader. 4-7)

Pub Date: July 1, 2011

ISBN: 978-1-57091-633-5

Page Count: 48

Publisher: Charlesbridge

Review Posted Online: June 6, 2011

Kirkus Reviews Issue: June 15, 2011

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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