Thought-provoking statements on almost every page; unmissable for women’s studies and religion students.
This collection of interview transcripts brings 24 experts, mostly psychologists and social scientists, together in a scholarly examination of the feminine.
Debut author Salum used Kickstarter to fund her 2014 documentary, also entitled Ensoulment. This women’s studies project relied on interviews with experts but created an animated protagonist who was, like the author and director herself, on a journey to understand the feminine. “What I was really after was not the female gender, but a matter of the soul, the impalpable,” Salum recalls. Her direct inspiration was a BodySoul Rhythms women’s retreat run by the Marion Woodman Foundation, which explores the Jungian idea of the feminine. Indeed, a number of the analysts and academics Salum interviews work within the Jungian framework. Many emphasize that feminine and masculine are not strict categories but interrelated principles, akin to the Eastern notion of yin and yang. “The whole business of opposites does not exist anywhere in the world. Everything is complementary,” one psychologist insists. Attempts to define the feminine abound—“the rhythmic…and the intuitive,” “both strength and delicacy, both firmness and love,” and “the great round…the encircling embrace”—but, crucially, Salum’s interlocutors always retain a sense of mystery and lived experience. They explain that the feminine is an archetypal quality to tap into rather than a distinct set of stereotyped behaviors and characteristics. The discussions in this original work center on six themes—the media, the body, men, relationships, work, and religion—but stray widely within those parameters to take in everything from eating disorders and fertility symbols to the goddess role that pop stars play in today’s culture. The interviews exhibit impressive depth as well as range, and the fact that one-third of Salum’s subjects are male prevents this from turning into a triumphalist, girl-power narrative. Instead, these are nuanced arguments that divorce gender from spirit. Each interview is headed by a photograph or cartoon avatar of the subject, a few biographical paragraphs, and Salum’s intriguing reflections on how she knew of and decided to include them.
Thought-provoking statements on almost every page; unmissable for women’s studies and religion students.Pub Date: Jan. 16, 2017
ISBN: 978-1-63051-390-0
Page Count: 322
Publisher: Chiron Publications
Review Posted Online: May 22, 2017
Kirkus Reviews Issue: July 1, 2017
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
