An entertaining appreciation of one woman's journey, sometimes ribald and funny, sometimes ironic and self-deprecating.
Marina Lucero reads the Dalai Lama, ponders Gandhi and yearns for inner peace. What she has is a challenging and needy family and a demanding and clueless set of friends.
Thirty-something Marina, a San Fernando Valley schoolteacher, had a mother who joined a Carmelite cloister when Marina was a child and a father who drank. Marina remains a bit resentful about her childhood, at least when her extended Hispanic family allows her time to think about it. There's older sister Della and her aimless dyslexic son Kiko. There's younger sister Xochi and her hapless sometime boyfriend Reggie. Then there is Rudy, Marina's former boyfriend, who thinks a failed relationship should provide fringe benefits. Marina does love Rudy's daughter, Letty, whom Marina mothered into adulthood. Letty's new baby, little Rudy, is hospitalized and mortally ill. Marina must rush to the aid of Letty and her husband, Miguel, a recovering drug addict, because that's what Marina does. She is a motherly caretaker, a woman constantly dancing between fatigue and self-imposed obligation. The book finds Marina teaching summer school, coping with Kiko and Reggie, both living on her couches, and providing intermittent refuge for Carlotta, her sweet next-door neighbor who is a punching bag for her out-of-work husband. Little Rudy dies, Letty attempts suicide, Carlotta is knocked into a hospital bed by her husband and Rudy demands that Marina give a false legal deposition so that his friend, Nestor, a Santeria priest, a voodoo babalawo, can escape child support payments. While dealing with these "hungry spirits," Marina generates romantic sparks with Carlos Lozano, an attractive and intelligent art teacher, and Arturo Ortiz, a nervous and engaging young doctor finishing his residency. López (Homicide Survivors Picnic and Other Stories, 2009, etc.) imagines believable characters and observes their world with literary insight.
An entertaining appreciation of one woman's journey, sometimes ribald and funny, sometimes ironic and self-deprecating.Pub Date: May 2, 2011
ISBN: 978-0-446-54963-9
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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