A sensitive and honest portrayal of grief and love.
A girl lives on a sanctuary for farm animals in Wisham’s picture book.
Alessia, who has pale skin and brown hair, cares for animals that other people haven’t treated well, including “horses, donkeys, goats, sheep, alpacas, emus, chickens, turkeys, peacocks, and lots of pigs.” One day, a lamb arrives, and Alessia names her Yodi. She feeds the new arrival with a bottle until she’s big enough to follow her everywhere she goes. Yodi has a big appetite and sometimes gets into forbidden parts of the sanctuary, but Alessia doesn’t mind. When Yodi doesn’t seem like her usual, playful self, Alessia takes her to the vet who discovers the lamb has copper poisoning from eating chickens’ food. When Yodi dies, Alessia sinks into sadness. Wisham’s graceful text has a nurturing tone that invites discussion of the story’s important themes, and the narrative walks young readers through the grief process: Alessia blames herself, feels angry, avoids friends, and loses interest in new animal arrivals. Eventually, months later, Alessia begins to feel like her old self and opens her heart to a new animal, although she never forgets Yodi. Mejia’s full-color cartoon illustrations clearly depict the seasons, the greenery, and the sanctuary’s animals, and her use of color gets across how a loss can make everything seem to fade.
A sensitive and honest portrayal of grief and love.Pub Date: Nov. 25, 2022
ISBN: 979-8887967790
Page Count: 36
Publisher: SNOUT KISS PRESS
Review Posted Online: Sept. 1, 2023
Review Program: Kirkus Indie
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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