It doesn’t get more elegiac than this.
Visits to a Civil War–era boardinghouse, a hospice in the Bronx, and the underworld.
“WELL, THAT WAS WEIRD” is Finn's answer when asked what words of wisdom he would like inscribed on his tombstone—by his dead ex-girlfriend, whom he has retrieved from the green cemetery where she was buried and is now giving a lift to...the other side. IT CERTAINLY WAS, thinks the reader of the novel Finn occupies. This otherworldly fairy tale opens with a letter written by the proprietress of an inn in the Confederate South to her sister, describing some trouble she is having with a handsome boarder. One is slightly bewildered, but also relieved, to find the second section of the book transporting us to what Finn, a recently fired schoolteacher, thinks of as "No York," home of neighborhoods NoHo, NoMad (“of course that was where he was staying”), and Nolita (“Didn't he date her in high school? Or rather, junior high?”). On the way to see his brother, Max, on his deathbed, Finn is planning some patter to amuse him, and if you know Moore, you can foresee that this will be some fine patter indeed. But then Finn is torn away from “the bardo of the hospice [with] its trapped souls and the steel beds and alarmingly colored drinks” by a phone call informing him of the suicide of his one-time girlfriend Lily, who had left him for another man but in death will be his alone. The story of Lily and Finn’s road trip and their passionate banter about life and death and love is interspersed with more letters from the landlady. Perhaps you will understand why, but if not you can focus on other Moore-ish delights, among them extraordinarily lovely descriptions of the hues and aromas of a decomposing body.
It doesn’t get more elegiac than this.Pub Date: June 20, 2023
ISBN: 9780307594143
Page Count: 208
Publisher: Knopf
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
Catastrophic climate change seems all too real through the eyes of a Florida girl.
Climate apocalypse is the setting for a formidable young woman’s coming-of-age.
Kirby Lowe is a lineman for the utility company in the small town of Rudder in southeast Florida. With a huge hurricane heading in, he’s called to work before it arrives. He hates leaving his pregnant wife and his two young sons at home, but they’re prepared, or so they think. The first part of this novel is a harrowing description of that storm and the destruction it wreaks; the second part picks up 10 years later with Kirby and his surviving family: grown son Lucas and 10-year-old daughter Wanda, named for the hurricane during which she was born. In a convincingly portrayed near-future Florida, climate change has accelerated. The hurricanes come faster and fiercer, and the barrier island communities are already slipping under the sea. Kirby and Lucas, now also a lineman, have so much work that Wanda is often on her own, and her adventurous streak worries her father. He finds her an after-school caretaker, a retired biology professor named Phyllis, who turns out to be the perfect choice. Soon the pair are conducting field studies of the local flora and fauna, and Phyllis, who as a biologist and former park ranger has seen climate disaster coming for years, starts teaching the girl how to grow a garden, keep chickens, forage, and use other survival skills. As Wanda grows up, the waters rise higher and the summers blaze hotter, and climate refugees begin to flee the state. Before long, mostly depopulated towns shut down, then even big cities are abandoned. “Eventually,” the author writes, “the federal government announced the widespread closure of Florida as a whole, as if it were a rundown theme park with a roller coaster that was no longer safe to ride.” Those who remain—Wanda and Phyllis among them—are on their own. Brooks-Dalton creates an all-too-believable picture of nature reclaiming Florida from its human inhabitants, and her complex and engaging characters make climate disaster a vividly individual experience rather than an abstract subject of debate.
Catastrophic climate change seems all too real through the eyes of a Florida girl.Pub Date: Dec. 6, 2022
ISBN: 978-1-5387-0827-9
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
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