An interesting first book that manages to incorporate technology into a sexy psychological thriller that holds the reader’s...
Moggach’s debut draws the reader into a series of events that bring together three very disparate individuals and puts them into a bizarre game of chance and deceit.
Leila’s father left before she was born, and her mother died when she had barely reached young adulthood. Sheltered, socially inept and almost friendless, she secures a job testing software out of the home Leila bought herself: a run-down apartment over an Indian restaurant in Rotherhithe, in Southeast London. But things all change when Leila joins a philosophical discussion group on a website known as Red Pill and is befriended by the site’s owner, an American named Adrian. Leila is elevated to one of the site’s most trusted commenters, and soon, Adrian approaches Leila with a proposition. Would she pretend to be someone else online for about six months in order to cover up the woman’s pending suicide? The woman in question is a dark-haired, hypnotic gamine who entrances men and has many friends, basically the opposite of Leila. Tess, as she is known, has some emotional issues and doesn’t want anyone else to realize she’s gone off and killed herself, so she plans to do the deed someplace where her body won’t easily be found. Leila agrees and begins to correspond with Tess, learning her friends, habits, speech patterns, likes and dislikes, and history. But then things happen that Leila not only hasn’t counted upon, but also isn’t prepared to handle, and everything starts to tilt, changing the way Leila views what she’s doing and the people who are important to both women’s lives. In Leila, Moggach has drawn a young woman who is convincingly naïve in the ways of the world and incapable of making good decisions. The story crackles with tension until the end, when it inexplicably runs out of steam.
An interesting first book that manages to incorporate technology into a sexy psychological thriller that holds the reader’s attention until it reaches the oddly tame ending.Pub Date: July 9, 2013
ISBN: 978-0-385-53747-6
Page Count: 336
Publisher: Doubleday
Review Posted Online: March 24, 2013
Kirkus Reviews Issue: April 15, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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