The 12 thematically linked tales in Auchincloss's first volume since his Collected (1994) dispel any sense of diminished talent in old age. With elegance and intelligence, the author further embellishes familiar themes—romantic egotism, the fate of family fortunes, and the relation of business and morality. A Protestant moralist and the chronicler of a social class in decline, Auchincloss focuses here on characters who try to atone for past misdeeds. The title piece—a mini Bonfire of the Vanities- -measures the moral complexities of financial manipulation in the contemporary marketplace, and poses the situational ethics of its fast-track protagonist against the seemingly unworldly wisdom of his father, a prep-school master. A railroad magnate atones for a life dedicated to business by assembling in old age a world-class art collection, much to the dismay of his heirs (``Ars Gratia Artis''). When a successful Manhattan lawyer divorces his first wife for his partner's, he makes up for this scandal by retreating to a quiet life as a professor, much to the chagrin of his ambitious second wife (``The Last Great Divorce''). While one heartless tycoon rationalizes his empire building (``Realist in Babylon''), a young lawyer abandons his career to follow his genuine interests (``The Hidden Muse''). A famous litigator at age 80 confronts, with some shock, the possibility that his wife understood him best when she steered him from a path leading to the Supreme Court (``The Golden Voice''). Auchincloss continues to be interested in the ``spheres of influence'' specific to gender in the WASP ascendancy. A longish tale of two sisters, ``Honoria and Attila,'' neatly captures the various choices open to women of a certain class, as does ``Geraldine,'' in which a society widow decides not to challenge her second husband's will, sacrificing a fortune for the moral high ground. One of the last literary chroniclers of the upper class—and a voice still very much worth heeding.
Pub Date: Sept. 27, 1997
ISBN: 0-395-86826-2
Page Count: 288
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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