by Louis Flint Ceci ; illustrated by Jennifer Rain Crosby ‧ RELEASE DATE: Sept. 20, 2021
A rich coming-of-age tale of friendship and self-discovery.
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Changing times run up against traditional values in this third installment of a YA series.
It’s the fall of 1969, and 16-year-old Malachi “Mally” Jacobs has just returned to Croy, Oklahoma, for the start of the school year. It was a watershed summer for Mally. He spent it in New York City, where he witnessed the Stonewall riots (totally by accident) and met his first-ever boyfriend, Vince. Now, he’s back in Croy several inches taller, with a new nickname—Jake—and a newly awakened sense of himself as a young gay man. That isn’t to say he’s out of the closet: Croy is still “Smalltown Nowhere,” as one character puts it, “where the highlights are pregnancies, strokes, and collapsing old buildings.” Jake’s best friend, Joanie Tibbits, knows Croy’s secret, of course. As the junior editor of the school paper, she knows just about everything—except why her boyfriend (and Jake’s other best friend), Randy Edom, has been acting so strange toward her of late. As the school year progresses, Jake and Randy throw themselves into football and then basketball, though team dynamics are in flux since their high school was combined with the largely Black school across town. Jake is trying to keep his personal business to himself, but he’s hardly the only one in Croy with something gnawing on his mind. His new friend, long-haired Beau Hamilton, feels a strong attraction to women’s clothing. Joanie’s Christian friend Bobbie Littledeer is sick with something, but she’s afraid to tell her medicine-skeptical parents about it. Randy has several weighty distractions of his own, including the fact that his father has escaped from prison and that he’s just inherited a great deal of money upon turning 18. Things are changing for nearly everyone in Croy—America itself is transforming—but are the shifts faced by Jake and his friends for the better or for the worse?
The novel includes stylish but infrequent black-and-white illustrations by Crosby (so rare that readers will always be surprised when one appears). Ceci’s prose is smooth and never hurried, depicting the angst and dread of his teenage characters with wry restraint: “It was Beau’s first time in detention, and he worried what other kids would be there. The toughest, he bet. The kind that would knock your books loose in the hall or clip you with their car as you crossed the street. And he was right.” The author makes good use of the large cast of supporting characters, switching the point of view as needed to expand the story in unexpected ways. As a result, readers will get a good sense of Croy and the sort of people who live there: folks caught between personal desires and the expectations of those around them. Compared to the earlier books in the series, the characters feel sharper, their conflicts more organic, and the world a bit more lived-in. Elements from the previous volumes inform the plot, but generally in ways that deepen the narrative. Readers familiar with the second installment in particular will get more enjoyment out of this one, but those picking up the series for the first time will be impressed with Ceci’s confident craftsmanship and insightful evocation of adolescence.
A rich coming-of-age tale of friendship and self-discovery.Pub Date: Sept. 20, 2021
ISBN: N/A
Page Count: 237
Publisher: Les Croyens Press
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Review Program: Kirkus Indie
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by Louis Flint Ceci ; illustrated by Jennifer Rain Crosby
by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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