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WITH THESE HANDS

The Ghost writes on. Wonderfully.

The final volume in a series of four posthumous titles (Beyond the Great Snow Mountains, 1999, etc.) collecting tales never before published in book form, many in genres we don’t associate with the Western writer.

L’Amour (1908–88) came from pioneer stock and traced his family back to 1600. Before committing fully to a writing career in his mid-’30s, he led a vastly adventurous life. He sailed around the globe, was shipwrecked in the West Indies and stranded in the Mojave Desert, worked as a miner, lumberjack, cattle skinner, carnival barker, elephant handler, and a boxer (winning 51 of 59 fights); during WWII, he served as an officer in the Transportation Corps. Included herein is the ferocious boxing saga “Gloves for a Tiger,” the second short story he sold. Also here are the wrap-ups for a number of early series clearly from his pulp days, although no provenance is given for any story. (Those interested can turn to louislamour.com for more information.) L’Amour is still finding his voice in many of these fictions, which echo genre styles of the day. For instance, in “Corpse on the Carpet,” his lengthy LA thriller about detective-to-be Kip Morgan: “She was sitting just around the curve of the bar, a gorgeous package of a girl, all done up in a gray tailored suit.” It’s pulp, but it’s catchy pulp; flurries like “I’d thrown my Sunday punch and all I got was rebound” keep readers lost in a hardboiled, lobster-bright time-warp filled with phrasings now as formal and stately as harpsichord notes from an 18th-century drawing room (“I whipped my right up into his solar plexus”). The lone Western, “Six-Gun Stampede,” is voiced in that “Anyways, I’m just fixin’ dinner” coziness. Far stronger is the title story, a Jack London–ish man-against-nature classic, telling of an oil company executive crashing in the Arctic wastes.

The Ghost writes on. Wonderfully.

Pub Date: May 7, 2002

ISBN: 0-553-80273-9

Page Count: 288

Publisher: Bantam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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