A singular achievement of intellectual history as well as a weighty entertainment.
Crossing the divide between academic analysis and insightful storytelling, this social and intellectual history explores the ideas of pragmatism by charting the lives of its founding fathers.
Pragmatism, a philosophy that makes experience the decisive test of truth and rightness, has experienced a renaissance after the chill of Cold War decades, and Menand, a New Yorker staff writer and eminent scholar, counts as one of its latter-day midwives. Significantly, then, we are told that pragmatism (with its Emersonian overtones) came into being as a radical, progressive critique of the various philosophies that fueled the American Civil War. Pragmatism’s early proponents looked upon scientific or religious belief as “one of the pieces people try to bundle together with other pieces, like moral teachings and selfish interests and specific information, when they need to make a decision.” It was, therefore, a philosophy of method and process, of probability and function, and (when imbued with a constructive skepticism) it created common ground for cultivating democracy and pluralism over ideology. In his sharp and expansive appreciation of pragmatism’s formative quartet (Oliver Wendell Holmes Jr., William James, Charles Sanders Peirce, and John Dewey), Menand brings their intermingled lives into colorful focus: Holmes goes to war, James to Brazil, Peirce becomes homeless, and Dewey helps organize the American Association of University Professors. Each takes center stage in one of the story’s first four sections, forming a sequence of eclectic biographies that accumulate a narrative tension as lives and ideas cohere or clash. A fifth section measures pragmatism’s limitations as well as its role in modernizing American thought: it cannot, for example, explain why someone would be willing to die for his beliefs, but it represents the “intellectual triumph of unionism.”
A singular achievement of intellectual history as well as a weighty entertainment.Pub Date: May 23, 2001
ISBN: 0-374-19963-9
Page Count: 518
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
BOOK REVIEW
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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