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NIGHTLAND

A Native American Richard Condon might have conjured up this neatly plotted thriller, a wonderful companion to Owens's two previous novels, The Sharpest Sight (1992) and Bone Game (1994). The story begins with a very real bang when part-Cherokee ranchers and lifelong friends Billy Keene and Will Striker come upon a dead body and a suitcase containing a million dollars. It looks as if the body has literally fallen from the sky. ``It's a gift from the Great Spirit,'' Billy insists, but a hail of gunfire from a helicopter makes it seem likely that the Spirit's bounty won't be easy to hold onto. Outwitting their pursuers and hiding their windfall, the two try to settle inconspicuously back into the routines of their hard lives, scraping by in a New Mexico backwater. Events, however, rapidly turn deeply weird. Billy's grandfather Siquani, a believer in the power of the ancestral forces surrounding them, is visited by a ghost (possibly the ghost of the man with the suitcase) who plays checkers with the old man and teaches him how to drive, precipitating one of the plot's many delicious twists and turns. Equally memorable appearances are made by: Will's estranged wife Jace, now a big-city lawyer; Odessa Nighthawk, a steely half-breed Ph.D. whose amorous appropriation of Billy is just a mite suspicious (there's evidence she may be a shape-shifter); and Paco Ortega, a thoughtful drug smuggler who, accompanied by a hilariously foulmouthed gunsel, comes to claim all that belongs to him. Owens skillfully braids together deadpan comedy, Indian legend and superstition, and stringent criticism of White American injustice (``everything in the psyche of this country tells people that they can just put the past behind them, that they aren't responsible for yesterday'') in a swiftly paced tale that's as thoughtful and provocative as it is irresistibly entertaining. Tony Hillerman, take notice. This is how it's done.

Pub Date: Aug. 21, 1996

ISBN: 0-525-94073-1

Page Count: 240

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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