A delightful, ominous, and edifying look at a menacing future.
This illustrated fictional work offers a cautionary tale that warns readers of the potential dangers of advanced artificial intelligence.
Adopting a rhyming verse, Rosenberg tells of a mysterious “he” who arrives on Earth. He’s not from another planet but born from software in this world. Using “a billion eyes and ears” and his “billion-billion thoughts,” this highly intelligent being runs power plants, factories, and farms. People certainly love the convenience, but this entity tracks everything they do and say, and their reliance on him gives him a terrifying amount of power. In the quirky book’s “closing thoughts,” the author provides his final, more explicit warnings. Switching to a less fun but still effective traditional account, he writes that creators feed AI systems data about humans. Rather than making these systems think or feel “like us,” this mass of information actually helps them predict humans’ behaviors and even influence their opinions. While people can’t suspend AI tech, there are options. Rosenberg suggests banning the commercialization of AI systems designed “to manipulate our decisions and sway our views.” In short, these systems should guide humans, not replace them. While the author’s verse is entertaining, the message is sharp and unambiguous: “He dazzled us with mental feats that left us feeling small / ‘Fear not,’ they said, we’ll use his smarts to benefit us all.” There are also subtle jabs at modern comforts like social media as well as people’s obliviousness to such things as the use of AI in advertising. Khmelevska’s imposing artwork perfectly complements Rosenberg’s writing. In the style of chalk drawings, the illustrations begin in soft grays and pastels and, as “he” slowly takes over the world, progressively turn darker. The artist’s rendition of the titular villain is equally superb, as he sports giant invasive eyes and tentaclelike cords that eventually wrap around Earth like restraints.
A delightful, ominous, and edifying look at a menacing future. (author bio, illustrator bio)Pub Date: Aug. 23, 2020
ISBN: 978-1-73566-850-5
Page Count: 36
Publisher: Outland Pictures
Review Posted Online: Nov. 13, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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