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THE BOY WHO LOST HIS FACE

A wry, uneven story in which a junior-high-schooler has his fling with the "in" crowd but ultimately finds more rewarding friends. David stands by uneasily while Roger and two other popular classmates knock down old Mrs. Bayfield, break her window, and steal her cane. When he himself is plagued by similar mishaps, he wonders whether he has been cursed—especially after learning that Mrs. Bayfield is reputed to be a witch who steals faces. Sachar gives David more than his share of grief: a constant victim of japes and jeers, he hangs around with outcasts Larry and Mo (Maureen); having nerved himself to ask out friendly Tori, he stands in front of her and loses his pants. Then, desperate to retrieve the cane and end the curse, he challenges Roger; battered but unbowed, he gets the cane, marches it back to Mrs. Bayfield, and learns that she's Tori's aunt and also a well-known artist who makes life masks (thus the witch rumor). Like There's a Boy in the Girls' Bathroom (1987), this features plenty of wildly tunny moments and deftly depicted social interaction; but once again Sachar keeps underestimating readers, halting the action to explain points he wants to make. Meanwhile, the final scenes, including a bibliotherapeutic epilogue set 150 years hence, are contrived and awkwardly handled.

Pub Date: Oct. 1, 1989

ISBN: 0679886222

Page Count: -

Publisher: Knopf

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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HOLES

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

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  • Newbery Medal Winner

Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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