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EDWARD HOPPER

A LIFE

Prodigious research informs a penetrating study.

Portrait of a celebrated artist.

Art historian Shadwick makes an impressive debut with a comprehensive life of Edward Hopper (1882-1967) that considers the social, cultural, and political forces that shaped him as well as the myths created about him. Drawing on a rich trove of material newly available at the Whitney Museum of Art, Shadwick offers “context, proportion, and qualification” to the conception of Hopper as Puritan, individualistic, and quintessentially American. Although Hopper “prioritized the individual over the crowd, the personal over the social,” Shadwick argues that he felt a “passion for European culture”; he imbibed the “fumes of American nationalism,” but, by 1934, he distanced himself from American regionalist painters. Hopper grew up in the quiet Hudson River town of Nyack but gravitated to Manhattan to study at the New York School of Art, where his teachers included William Merritt Chase and Robert Henri. For many years, discouraged by a lack of recognition, he supported himself, resentfully, as a commercial artist. His personal life also gave cause for resentment: His marriage to artist Josephine Nivison in 1924 was dominated by conflict. Jo’s minutely detailed diaries reveal domestic tensions that sometimes erupted into abuse. Hopper’s reputation began to rise in the late 1920s with significant sales and, in 1933, an important retrospective at the Museum of Modern Art, which inaugurated decades of growing fame. Scrupulously following Hopper’s artistic development, Shadwick closely analyzes his works, many reproduced among the book’s 100 color and black-and-white images. He follows the couple on their travels, records the books each read, movies and plays they saw, exhibitions they attended, the juries Hopper served on, and the serious health problems that blighted their final years. In short, he has created a biography that deserves to be called definitive.

Prodigious research informs a penetrating study.

Pub Date: today

ISBN: 9780300263787

Page Count: 544

Publisher: Yale Univ.

Review Posted Online: Aug. 17, 2026

Kirkus Reviews Issue: Sept. 15, 2026

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THIS TIME NEXT YEAR WE'LL BE LAUGHING

An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.

The bestselling author recalls her childhood and her family’s wartime experiences.

Readers of Winspear’s popular Maisie Dobbs mystery series appreciate the London investigator’s canny resourcefulness and underlying humanity as she solves her many cases. Yet Dobbs had to overcome plenty of hardships in her ascent from her working-class roots. Part of the appeal of Winspear’s Dobbs series are the descriptions of London and the English countryside, featuring vividly drawn particulars that feel like they were written with firsthand knowledge of that era. In her first book of nonfiction, the author sheds light on the inspiration for Dobbs and her stories as she reflects on her upbringing during the 1950s and ’60s. She focuses much attention on her parents’ lives and their struggles supporting a family, as they chose to live far removed from their London pasts. “My parents left the bombsites and memories of wartime London for an openness they found in the country and on the land,” writes Winspear. As she recounts, each of her parents often had to work multiple jobs, which inspired the author’s own initiative, a trait she would apply to the Dobbs character. Her parents recalled grueling wartime experiences as well as stories of the severe battlefield injuries that left her grandfather shell-shocked. “My mother’s history,” she writes, “became my history—probably because I was young when she began telling me….Looking back, her stories—of war, of abuse at the hands of the people to whom she and her sisters had been billeted when evacuated from London, of seeing the dead following a bombing—were probably too graphic for a child. But I liked listening to them.” Winspear also draws distinctive portraits of postwar England, altogether different from the U.S., where she has since settled, and her unsettling struggles within the rigid British class system.

An engaging childhood memoir and a deeply affectionate tribute to the author’s parents.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64129-269-6

Page Count: 314

Publisher: Soho

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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