A sturdy, intense adventure in which humanity wins out over greed.
High finance in an era of globalization serves as the backdrop for Wiid’s debut thriller.
The evil at the center of this suspenseful tale is megalomaniac Bogdan Popov, a Russian gangster who makes himself over as a billionaire following the collapse of the Soviet Union, “in a few years becoming the richest man in Russia.” Popov doesn’t care whom he hurts from on high, including the other characters in this novel who get tangled up in his affairs. Leon Jacobs is a substance-abusing student majoring in journalism; after he’s kicked out of his university, he lands a job as a scuba instructor at an Egyptian resort where he has a brief affair with Sophia, Popov’s damaged heiress daughter. She makes an introduction that gets Leon a low-level job at her father’s firm in London, where Popov himself takes notice of him. Leon and Isabella van Graan, a South African lawyer, eventually publicize Popov’s dirty deeds, which paints a target on Leon’s back. Leon then escapes to South Africa, where he befriends Franklin Benjamin, a drug-addicted, low-level gangster whose brother was killed in a botched robbery. But trouble follows, leading to a bloody showdown between Popov’s mercenary forces and a handful of Franklin’s gangster buddies. Wiid adds a necessary air of authenticity to his novel with his detailed knowledge of international finance and his South African homeland. The only drawback is it’s not always easy to decipher his characters’ local slang from context alone (“We tried Tik a few times but didn’t like it. We stick with dagga, but only on occasion, we can stop when we want”). He crafts the redemptions of Leon, Sophia, Franklin, and Isabella, who all start as unlikable characters, so that they’re believable and natural. This, in turn, makes the fate of Popov and his mercenary enforcer, Sinovich, all the more fulfilling. The novel’s pace is slow in sections, but Wiid picks it up when it counts near the end. Overall, it’s a bumpy ride but a worthwhile journey.
A sturdy, intense adventure in which humanity wins out over greed.Pub Date: Feb. 15, 2016
ISBN: 978-0-9946677-4-8
Page Count: 320
Publisher: Staging Post
Review Posted Online: Aug. 23, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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